Jacob Lau (he/him) is an Assistant Professor in the Queer Studies Program at California State University, Northridge. Lau writes on trans of color temporalities and affects in literature, film, and archival ephemera, through women of color feminist and postcolonial epistemologies, as well as queer/trans of color critique.He is the co-editor of Michael Dillon/Lobzang Jivaka's 1962 trans memoir Out of the Ordinary: A Life of Gender and Spiritual Transitions (Fordham University Press, 2016), for which he also co-authored an introduction to the text with Cameron Partridge. Dillon was the first man assigned female at birth to medically transition with both testosterone and top and bottom surgeries, as well as the first European ordained in Tibetan Buddhism. Importantly, Dillon’s memoir demonstrates connections between the development of new medical technologies to “repair” the male body post-WWII in midcentury, the spread of Buddhism in Euro-America, and the rise of transsexual and transgender subjectivities within a colonial context. He has been interviewed by Public Radio International's The World for his work on Michael Dillon, and his writing has appeared in TSQ: Transgender Studies Quarterly, Amerasia Journal, Keywords for Gender and Sexuality Studies (NYU Press 2021), the SAGE Encyclopedia of Trans Studies, The Routledge Companion to Gender and Affect, Feral Feminisms, the Los Angeles Review of Books, and the Graduate Journal of Social Science. He also has a forthcoming chapter on the work of Jasbir Puar in the second edition of Cultural Approaches to Studying Religion: An Introduction to Theories and Methods (Bloomsbury Academic, 2023).
Lau’s current book project, provisionally titled Falling Between the Times: Trans-Temporality, and Cisnormative Historicity situates materials from queer archives, trans memoir, Asian American and Asian diasporic texts within a transnational critique of what he is calling “trans-temporality.” By looking at how state-enacted forms of time regulate and discipline the experience of embodiment, through processes like immigration and administrative documentation Lau argues that cisnormative (non-trans) time allows some bodies more time to be visible, celebrated, and claimed by the nation, state, and transnational capital while trans bodies (particularly trans bodies of color) are decried as sexually aberrant, out-of-sync with the progress of the nation-state. Trans of color cultural production provides an alternative reading of trans history through unruly affects, pointing to other modes of survival.
