- The Tom & Ethel Bradley Center at firstname.lastname@example.org
- or Keith Rice, Historian/Archivist, at email@example.com
The Tom & Ethel Bradley Center holds and controls the copyright of the photographic collections by such photographers as Charles Williams, Guy Crowder, John Kouns, Roland Charles, Julián Cardona, Richard Cross, and others. Please scroll down to the bottom of page to access a link for a complete list of images/collections the University Library holds or manages.
This fee schedule lists one-time licensing fees per image based on usage. The Center will issue a written licensing agreement restricting usage to requested project and will provide citations and credit lines. Written permission and additional licensing fees will be required for re-use.
Fees are based on the use of pre-scanned high-resolution TIFF files.
A fee of $50 will be added to each order that requires the creation of a new high-resolution TIFF file.
BOOKS (one-time use, interior, single-language, print & electronic editions)
- Publisher Fee – Nonprofit and Government Agency
- Print run up to 1,000: $100
- Print run from 1,001 to 5,000: $200
- Publisher Fee – Commercial Publisher
- Print run up to 1,000 : $150
- Print run from 1,001 to 5,000 : $250
- Both commercial and non-commercial:
- Print run 5,001 to 10,000: $300
- Print run over 10,000: $400
BOOKS (one-time use, cover)
- Nonprofit/government agencies/self-published
- Print run up to 1,000: $150
- Print run 1,001 to 5,000: $250
- Including digital mulitplatform, print run up to 10,000: $500
- Print run up to 1,000: $200
- Print run 1,001 to 5,000: $350
- Including digital multiplatform, print run up to 10,000: $750
- Both commercial and non-commercial:
- Print run 5,001-10,000: $500
- Print run over 10,000: $750
- Including digital multiplatform, print run over 10,000: $1000
Exhibitions and Public Display
- Kiosk/video production, exhibition display up to 1 year: $150
- Kiosk/video production, exhibition display 1 to 5 years: $250
- Kiosk/video production, exhibition display over 5 years: $500
- Kiosk/video production, exhibition display up to 1 year: $250
- Kiosk/video production, exhibition display 1 to 5 years: $350
- Kiosk/video production, exhibition display over 5 years: $600
Documentaries and TV Programs **
- Free Online Streaming: $100
- Public TV broadcast with all media excluding theatrical: $150
- Commercial Online Streaming: $250
- Commercial TV broadcast and/or online streaming with all media excluding theatrical: $400
- All media including theatrical: $500
TV Talk Shows/Newscasts/Feature Films **
- Public television Talk Shows and Newscasts with all media: $100
- Commercial television Talk Shows and Newscasts with all media: $200
- Feature Films (non-documentary) with all media: $700
- Circulation up to 1,000: $50
- Circulation 1,001 to 10,000: $100
- Circulation over 10,000: $150
- Cover: $250
Nonprofit Brochures, Programs, Playbills, Newsletters, etc
- Print run up to 1,000: $100
- Print run 1,001 to 5,000: $150
- Print run over 5,000: $250
- Cover: $400
Commercial Brochures, Flyers, etc.
- Print run up to 5,000: $250
- Print run 5,001 to 10,000: $350
- Print run over 10,000: $500
Commercial Newspapers, Magazines, Playbills, Program
- Up to 1/4 page: $250
- Half page: $450
- Full page: $600
- Cover $750
- Nonprofit, up to one year: $250
- Nonprofit, perpetuity: $600
- Commercial, up to one year: $450
- Commercial, perpetuity: $1,000
Online Editorial only
- Individual: $50
- Nonprofit/Government Agency: $100
- Commercial sites: $150
Personal Use Prints
- Print 8.5"x11": $150 + S&H
- Print 11.7"x16.5": $200 + S&H
** Tom & Ethel Bradley Center retains the copyrights of all prints sold, duplication of prints not allowed
Images for which The Tom & Ethel Bradley Center does not hold/manage copyright
Copyright and Permissions
Use of images in the collections in the Tom & Ethel Bradley Center is strictly prohibited by law without prior written consent from the copyright holders. The responsibility for the use of these materials rests exclusively with the user. The Bradley Center may assist in obtaining copyright/licensing permission to use images from the following collections: Harry Adams, David Blumenkrantz, and Edward Alfano. Other collections copyright/licensing requests may be obtained directly from the Bradley Center. (Costs for the mentioned photographers is determined by the individual photographers, and not necessarily reflected in the above cost schedule.)
Fee Schedule below lists one-time fees per image to access high resolution TIFF files. There are no usage restrictions or limitations put on these images. The Tom & Ethel Bradley Center will issue an invoice with citation and credit lines. The Tom & Ethel Bradley Center will not issue or sign written "permission" or "licensing" agreements for these images. The Tom & Ethel Bradley Center permission is not required for any reuses or additional uses.
- Individuals (excluding Commercial Authors and Independent Filmmakers): $50
- Nonprofits/Museums/Government Agencies: $100
- Commercial Architect/Construction/Real Estate Firms (Research use): $100
- Commercial Authors Independent Filmmakers: $100
- Commercial Magazines/Newspapers:$150
- Nommercial Companies working on behalf of a Nonprofit/Museum/Government Agency: $150
- Commercial Publishers and All Other Commercial Organizations excluding above: $250
Please note additional fees for all image orders:
- Turnaround is 2 to 4 weeks.
- A fee of $50 will be added to each order that requires the creation of a new high-resolution TIFF file.
- There is a $50 fee for multiple language (two or more) use.
- There is a $100 surcharge on top of fees posted to re-scan images already digitized to create larger files.
- Surcharge of $200 on top of fees posted for 1-10 images for a 2 week or less turnaround.
- There is a $100 for each additional group of 1-10 images.
- Surcharge of $300 on top of fees posted for 1-10 images for 1 week or less turnaround
Copyright: Copies are provided for the individual's personal use and may not be further reproduced, published, broadcast, displayed, offered for sale, transferred to another individual or deposited in another institution without written permission from the Tom & Ethel Bradley Center Oral History Program and/or the copyright holder. The Tom & Ethel Bradley Center is the copyright holder for all materials in the oral histories in the collection, including but not limited to audio, video, images and transcripts.
Duplication: The Tom & Ethel Bradley Center Oral History Program provides a variety of duplication services but reserves the right to restrict reproduction of materials due to copyright, or donor requirements. Access copies and transcriptions of sound and video recordings are available.
The Tom & Ethel Bradley Center charges a fee for duplication of materials (audio and transcript only) to recover costs. Special request is required for video recordings. Duplication is intended for educational use, scholarly and/or personal use. Commercial use requires permission and is subject to additional fees from the Bradley Center. See the rate structure below for duplication services:
Licensing Permission: to reproduce or use materials owned by the Tom & Ethel Bradley Center for any commercial purpose, including, but not limited to, on-line use and presentation, publication in any format, or exhibits, permission must be secured from the Tom & Ethel Bradley Center via permission form prior to web mounting, publication or exhibition. Licensing fees, where applicable, are calculated separately from duplication costs.
Duplication — Digital & Physical
Duplication and Processing (Shipping and handling fees may apply)
- Digital transcript file: Free
- Printed transcript: $0.50 per page
- Audio flash drive: $35
- Audio compact disc (CD-R): $25 per disc
- Electronic delivery, mp3 file: $35
Licensing fees ( in addition to reproduction and editing costs)
- Video clip: $200/5 consecutive minutes of a clip; $100 each additional 5 consecutive minutes
- Audio: $120/5 consecutive minutes of a clip
Non-profit, scholarly research use
- Video clip: $100/5 consecutive minutes of a clip; $50 each additional 5 consecutive minutes
- Audio: $60/5 consecutive minutes of a clip
Video editing, commercial and non-profit
- Labor - $30/hr, minimum 4 hours; $30 each additional hour. No cancellations
Online payment or checks accepted.
Citing Oral Histories
Format: Transcript, Oral History Interview with (Name of Interviewee) (Interview Number), (Date of Interview), by (Name of Interviewer), (page number), Oral History Program, Tom & Ethel Bradley Center, California State University, Northridge.
Example: Transcript, Oral History Interview with Gwen Green 14.04.OHT.01. 19 February 2014, by Kent Kirkton and Keith Rice, p. 14, Oral History Program, Tom & Ethel Bradley Center, California State University, Northridge.
Format: (Name of Interviewee), interview by (Names of Interviewer), digital recording, (Date), Oral History Program in the Tom & Ethel Bradley Center, California State University, Northridge.
Example: Gwen Green, interview by Kent Kirkton and Keith Rice, digital recording, 19 February 2014, Oral History Program in the Tom & Ethel Bradley Center, California State University, Northridge.
Identity and Affirmation: Post War African American Photography
Part of the Getty’s Pacific Standard Time Initiative, 2011
Hardbound, 112 pages, 126 images
Identity & Affirmation: Post War African American Photography is part of the Getty’s Pacific Standard Time: Art in L.A. 1945-1980. Identity & Affirmation features images produced by African American photographers from Los Angeles during the post-war years. They are drawn from the more than 850,000 images, produced by Los Angeles based African American photographers, that comprise the permanent collection of the Institute of Arts & Media at California State University Northridge. Photographers include: Harry Adams, Roland Charles, Guy Crowder, Jack Davis, Bob Douglas, Maxie Floyd, Alex Green, Calvin Hicks, James Jeffrey, Daniel Martin, Willie Middlebrook, and Charles Williams.
Camera and Community
Photographs from the Collection of the Institute for Arts and Media, 2008
Softcover, 91 pages, 100 images
Images in this exhibition were produced by 20 photographers, whose work is included in the collection of the Institute for Arts & Media at California State University Northridge. There subjects range from such personalities as Dr. Luther Ding and Cesar Chavez to the ground crew at the Enterprise School District. Also included in their works of art are communities from the San Fernando Valley to the mountains of Columbia and the jungles of Chiapas, Mexico. We see such events as the Los Angeles celebration of V.E. Day and Valley State College football games. Musicians, entertainers, politicians, civil rights leaders, authors, and artists of note as well as the everyday events that make up the tapestry of life in Los Angeles are depicted in this exhibition. Featured photographers include: Harry Adams, David Blumenkrantz, Herb Carleton, Roland Charles, Ringo Chui, Emmon Clarke, William Claxton, Richard Cross, Guy Crowder, Jack Davis, Bob Douglas, Joe Flowers, Maxie Floyd, Bill Harvey, Calvin Hicks, James Jeffrey, John Kouns, Bob Moore, Augustine Tabares, Jason Warner, and Charles Williams.
Images of America: African Americans in Los Angeles
Dr. Karin L. Stanford and the Institute for Arts & Media, California State University, Northridge
2010, Softcover, 200 vintage photos, 128 pages
toll free 888-313-2665
Harry Adams: Camera & Community
1997, Softcover, 18 pages, 14 images
The photographs of Harry Adams were seen for thirty years on the pages of the California Eagle and the Los Angeles Sentinel. He also photographed for any number of churches, social organizations, and private clients, amassing a collection of nearly on-half million images. Harry was probably one of the best-known people in the community. He and his camera were and omnipresent part of social life from 1955-1985.
Camera & Community: A Celebration by Guy R. Crowder
1993, softcover, 21 pages, 23 images
Guy Crowder’s images reflect a vision and reality that is rarely seen in one place. Few people have been privileged enough to have been so close to the heartbeat of their community as Crowder. But proximity alone is not enough. These images, since the 1960s, perceived and recorded by Crowder without artifice or embellishment – with straightforward intelligence and clarity – become a celebration of that very community. He and his collection of camera have been seen chronicling political, social, and athletic events in Los Angeles for more than 25 years.