Young in

History 476 – Spring 2007
Instructor
Dr.
Thomas W. Devine
Office Hours:
Email Phone: (818) 677-3550
Teaching
Assistant: John Vurpillat
From Horatio Alger to Hanson, from the
Katzenjammer Kids to Eric Cartman, Americans have long been obsessed with youth
– heralding it, romanticizing it, protecting it, clinging to it, and, at times,
exploiting it. Today, just as one
hundred years ago, we as a nation are seemingly preoccupied with “what is to become
of the young.” Yet in our public
discussions, we typically have no historical context – no awareness that each
generation before us argued and worried over the same issues, often operating
under the same dubious assumptions that we continue to hold decades later. In hopes of providing some historical
context, this course will offer an overview of what it was like to be young in
To the greatest extent possible, the course will approach the topic from the perspective of the young people themselves. We will pay close attention to the practice of “sex-typing” and the role gender played in shaping youths’ daily experiences. Also, by looking at the experiences of various kinds of youth – rich, poor, black, Latino, white, college educated, uneducated – we will challenge the very notion of a singular “American youth culture.” At times, however, we will also examine how adults reacted to the behavior of their children. In particular, we will focus on how adults sought to keep the nation’s youth from being “corrupted” and how young people responded to their efforts.
Required
To subvert the system and to save yourself some
money, you might consider buying used copies of the books. You are likely to find used or discounted
copies at significantly lower prices at the following websites: www.bookfinder.com; www.half.com; www.amazon.com.
All other readings will either be distributed in
class or available through the password protected links below.
Requirements and Grading
Class
Participation/Quizzes --20%
Quiz
1 [February 15]
Quiz
2 [March 6]
Quiz
3 [April 24]
Quiz
4 [May 8]
Midterm
Examination [March 29] --20%
1st
Paper [due March 18 or 9 April] --15%
2nd
Paper [due 9 May] --20%
Final Examination [24
May] --25%
All
grading will be done on the +/ – system.
The
midterm will be an essay exam designed primarily to confirm that
you have been keeping up with the reading and have given thought to the topics
and themes raised in discussion. There
will be a choice of short answer questions and a longer essay. The final
will be similar in format and will not be cumulative. I will distribute study questions for the
midterm and final at least a week before you take the exams.
The
paper assignments will focus on the material covered in the
assigned readings and during class discussion.
For the first paper,
there will be a choice of topics that will be handed out two weeks before the
due date. There will also be two
options – “option A” will be due 14 March; “option B” will be due 9
April. You only need to do ONE
option. The second paper assignment will allow you to conduct an oral
history or try your hand at creative writing.
It will be due on 29 April.
On Writing Papers…
Both papers should be NO LESS THAN 5 pages
with one-inch margins. Grades will be based on the quality of your ideas and
how effectively you present them.
Though
the TA and I will make grammar and spelling corrections on your papers, you are
not being graded on grammar and
spelling per se. A poorly written paper, however, usually
fails to convey ideas effectively, so in this sense good writing does
matter. There is no way of separating
“the writing” from “the ideas.”
As
you will find out, we will read your papers thoroughly and offer detailed
constructive criticism. Do not be
discouraged by our “heavy edits” of your work.
My goal is to insure that every one of you leaves this class a better
writer than when you entered. You should
make this your goal as well.
I also encourage you to ask me or the
teaching assistant for assistance. We both have extensive experience in copy
editing and teaching writing skills. We are willing to work with you one on
one, sentence by sentence to improve your essays. Take advantage of this offer
– you may not get another like it before you graduate.
If
you submit a completed draft of a paper at least five days before the
assignment is due, either the TA or I will read it and give you comments.
Surviving History 476…
Course Format
Though
this course will include some lectures, it is not a “lecture course.” The emphasis will be on discussion and
classroom interaction rather than listening to the professor. Class
participation is important and will count heavily in your final grade. Our meetings will in fact be conversations –
free, open, and informal exchanges of ideas based on the assigned reading, and I expect everyone to take part. I will do my best to insure each student has
ample opportunity to contribute, but, ultimately, it will be up to you
to make certain that you remain an active participant rather than a passive
observer. Have the
reading done BEFORE you come to
class and be ready to discuss it.
Though
no one should feel intimidated, I understand that some of you may be more
comfortable speaking to a smaller audience, so we will occasionally break into
small groups. Your performance in these
groups will also count toward your overall participation grade. This grade will be based on the quality
of participation – simply “being there” or saying “something” will not insure
you a high grade.
Attendance
Since
the success of this course depends on each student’s active participation, it
is important, and it is expected, that you will be present at every
session. I do take attendance. If you have had trouble showing up for class
on a regular basis in the past, this is not the course for you. Inevitably, an occasion may arise when you
are unable to attend. Out of fairness to
your classmates who do attend, however, each
absence beyond the first three will adversely affect your final grade. Also, given the heavy weight placed on
in-class discussion, any absence is likely to detract from your participation
grade.
Common Courtesy &
Academic Honesty
Since
I assume that all of you are of upstanding character and possess impeccable
manners, most of this should go without saying, but I put it in writing here so
that there will be no misunderstanding.
Please turn off all cell phones and other electronic gadgets before you
enter the classroom. This includes
laptop computers. Please arrive on time
and do not walk out in the middle of class unless it is an emergency or you
have spoken to me about it ahead of time.
Do not tell me things that are not true and expect me to believe you.
This is dishonest, but, more importantly, is an insult to my intelligence. Do not cheat.
Do not plagiarize. If you do so,
I will track you down and make your life miserable. (References available upon
request.)
Problems
I
appreciate that many CSUN students are stretching themselves quite thin, often
working full time or raising families while taking classes. If you are feeling overwhelmed, find yourself
falling behind, or are having any problems outside of class that are adversely
affecting your performance in class, be sure to let me know. Do not wait until the end of the semester
when it will be too late. I am more than
willing to work with you to insure you “survive,” but I need to know you are
having difficulties. You will find that
as long as you keep me up to speed, I will be very sympathetic.
(The reading assignment listed for each day should be completed BEFORE you arrive at class.)
Tues. 30 Jan. Introduction: An explanation of course
objectives, mechanics, and procedures.
Thurs.
1 Feb. What
is youth?
Grace Palladino, Teenagers, Introduction
D.
James Romero, “Adulthood? Later, Dude!” from the
Tues.
6 Feb. “Boys
Will be Boys”… or Will They??
Thurs.
8 Feb. “Bad
Girls” – Regulating Female Sexuality
Tues. 13 Feb. “Nickel Addicts and
Jane Addams, The Spirit of Youth and the City
Streets
David Nasaw, “Children and Commercial
Culture: Moving Pictures in the Early Twentieth Century”
Film:
Thurs.
15 Feb. “Newsies, Junkers, and Little Mothers”
QUIZ
#1 – Children of the City
Tues.
20 Feb. “A
Moral Revolution on Campus?” – College
Life and its Critics
“Is the Younger Generation in Peril?”
Literary Digest (1921)
Eleanor Rowland Wembridge, “Petting and the
Campus” Survey (1925)
James
Wechsler, selections from Revolt on Campus (1935)
Vincent Sheean, “The Modern Gothic” from
Personal History (1937)
Thurs. 22 Feb. “Flaming
Youth” – Flappers, Sheiks, and the Roaring ‘20s
Kevin White, “Modern American Male
Heterosexuality: The 1920s”
F. Scott Fitzgerald, “Bernice Bobs Her Hair”
(1920)
Film: Our Dancing Daughters
Tues.
27 Feb. “Dead
End Kids” – Teenagers, the Great Depression, and the New Deal
Thomas Hine, The Rise & Fall of the
American Teenager, Chapter 11
Kristie Lindenmeyer, The Greatest
Generation Grows Up, Chapter 6
Thurs.
1 Mar. “Swing Kids” – Dancing Through the Depression
Palladino,
Teenagers, Chapter 4
Film: History
of West Coast Swing
Tues. 6 Mar. “Something Will
Come Along” – Remembering the 1930s
Quiz #2 – GrOwing UP
Thurs.
8 Mar. “Lighting out for the Territories” – Teenage Hoboes
Film: Riding the Rails
(The American Experience)
Tues. 13 Mar. “Don’t You Know There’s a War On?” – Young
People and World War II
Palladino,
Teenagers, Chapters 5, 6
Thurs. 15 Mar. Wars at Home: Minority
Youth Countercultures during World War II
Stuart Cosgrove, “The Zoot Suit and
Style Warfare”
Film: The Zoot Suit Riots
(The American Experience)
Tues.
20 Mar. “Rebels Without a Cause?” – The Postwar Juvenile
Delinquency Scare
Bradford Wright, “Youth Crisis: Comic Books and
Controversy, 1947-1950”
Thurs.
22 Mar. “The Juvenilization of American Movies” –
Mark McGee and R.J. Robertson, The J.D.
Films, pp. 18-39
Margot Henrikson, Dr. Strangelove’s America,
pp. 157-168
Films: Rebel
Without a Cause
Blackboard Jungle
The
Wild One
Tues.
27 Mar. “Marketing Youth and the Youth Market” – Madison
Avenue Discovers the Teenager
Palladino, Teenagers, Chapter 7
Film: The March of Time “Teenage Girls”
Thurs. 29 Mar. MIDTERM
EXAMINATION
Tues. 3 Apr. SPRING
BREAK
Thurs. 5 Apr. SPRING
BREAK
Tues. 10 Apr. The Beats: Prelude to the
Counterculture
Paul O’Neil, “The Only Rebellion
Around,” Life (November 30, 1959)
Margot Henrikson, Dr.
Strangelove’s America, 171-82
To hear Ginsberg recite “Howl,” click HERE. Go to “WHOLE ITEM.” (Howl begins at 41:29)
Thurs.
12 Apr. “The Devil’s Music” – The Rise of Rock’n’Roll
Glenn C. Altschuler, All Shook Up: How
Rock’n’Roll Changed America, Chapter 2
Film: That Rhythm, Those Blues (The
American Experience)
Tues.
17 Apr. “Before Elvis, There was Nothing” – Class, Race,
Youth, and “the King”
Michael T. Bertrand, Race, Rock, and
Elvis, Chapter 7
Linda Martin and Kerry Segrave,
“From the Waist Up”
Film: Elvis 1956
Thurs. 19 Apr. “A Movement Led by the Young” – The Civil Rights Struggle
Tues.
24 Apr. The
Civil Rights Movement in
QUIZ
#3 – Coming of Age in
Thurs. 26 Apr. Open Date – Continue discussion of Coming of Age
Film: Freedom
on my Mind
Tues.
1 May Unrest
on Campus – SDS and the Student Revolt of the 1960s
Palladino, Teenagers, Chapters 13, 14
Thurs. 3 May. “Hippies, Yippies, and Freaks” –
The Counterculture
David Farber, “The Counterculture
and the Anti-War Movement”
P. J. O’Rourke, “The Awesome Power of Make Believe”
Tues. 8 May How
the Other Half Lived: Busing, Gangs, and Urban Poverty, 1960-80
Note:
There are useful study questions at the end of the paperback edition of All
Souls
Quiz
#4 – ALL SOULS
Thurs. 10 May Open Date – Continue
Discussion of All Souls
Tues. 15 May “I’ll Resist With Every Inch
and Every Breath” – Punk, Riot Grrrls, and Youth Culture at the Margins
Kevin Mattson,
“‘Did Punk Matter?’ Analyzing the
Practices of a Youth Subculture During the 1980s”
Thurs.
17 May Whither
Youth? – Into the 21st Century