History
476
Devine
Spring
2007
Study
Questions for Thursday, March 1st
Erenberg, Swingin’ The Dream, Chapter
2
1.
How
did the economic hardship of the Depression reduce the differences among young
people? To what extent did swing culture
reflect this trend?
2.
What
were the criticisms leveled against swing?
Why did most parents take these criticisms with a grain of salt? How did the defenders of swing respond to the
critics?
3.
How
did technological advances – radio, jukeboxes, and movies with sound – make
swing music more inclusive and break down barriers between urban and rural and
black, white, and brown young people?
4.
In
what ways had the dance ballrooms of the 1930s become more democratic and
inclusive than the nightclubs of the 1920s?
5.
How
did the swing dances and song lyrics allow audiences to escape the dreariness
of the Depression? How had dancing
changed? How had song lyrics changed
from the sentimental and self-pitying “torch songs” of the early 1930s?
6.
How
did swing dancers’ fashion reflect the democratic nature of swing culture?
7.
How
would you characterize the relationship between swing performers and swing
audiences?
8.
What
evidence does the author cite to demonstrate that swing fans were not just uncritical “passive
receivers” of musical entertainment, but took an active part in creating a
democratic culture around swing music?
9.
How
would you define “mass democratic culture”?
According to Erenberg, how did swing produce
“a revitalization of mass democratic culture”? (64)
Palladino, Teenagers, Chapter
4
1.
How
did swing music impact social life and high school style in the early 1940s?