William
A. Andersen
History
574 précis
Feb. 3,
2006
Haynes,
John E. Red Scare or Red Menace?
American Communism and Anticommunism in the Cold
War
Era.
Whitfield,
Stephen J. The Culture of the Cold War, 2d ed.
University Press, 1996.
Haynes and Whitfield write about an
era in which Americans felt threatened. The
infectious taint of fear created a drive toward security at any price. Communists were viewed as radical ideologues harboring
a dream of a terrestrial paradise so enticing they would commit any crime to
achieve it. Policy advisors debated the
notion of preemptive war, or “aggression for peace,” while lawmakers endeavored
to strike a delicate balance between national security and civil liberties. The prevailing view among conservatives was
expressed by political philosopher Eric Voegelin in 1952: “If liberalism is understood as the immanent
salvation of man and society, communism certainly is its most radical
expression.”[1]
I
John Haynes rejects the notion that liberals formed a
monolithic bloc sympathetic to, or tending towards, communism. He writes that there were anticommunist
liberals. He also asserts that
anticommunism during the first Red Scare (1919-21) “flowed from a variety of
motives” (3). Early anticommunism was a reaction
to the American Communist Party, whose stated goal was to organize a
proletariat state “for the coercion and suppression of the bourgeoisie”
(7). The Party, in short, wanted to
overthrow the existing capitalist system (7).
Linked to this was a suspicion of immigrants from
The first Red Scare ended in 1921 due
to diminished fears of world revolution.
With the 1930s came the Red Decade.
American society “proved to be a promising environment for the Communist
Party
In the 1930s regnant anti-fascism
generated legislation and tactics that would later be used against Communists
in the post-war era. Isolationist
movements such as the America First Committee and the German-American Bund were
tarred with the Nazi brush. Attempts to
control domestic subversion became manifest in legislation such as the Hatch
Act (1939), the Smith Act (1940), and the Voorhis Act (1940). All were precursors to the Internal
Securities (McCarran) Act inspired by the Red Scare in 1950. Haynes observes that isolationists and
right-wing Republicans who were “unfairly tainted were greatly angered by the
excesses of the campaign against them,” and, after the war, extracted revenge
through enforcing the very legislation that had used against them and others
suspected of fascist sympathies (29).
The 1939 Nazi-Soviet pact aligned
American Communists with pro-fascist isolationists, proving the adage that
politics makes strange bedfellows. The
CPUSA (directed by
Haynes claims that post-war American
anticommunism was fueled by Stalin’s “imposing subservient tyrannies” upon
It was in such a sociopolitical atmosphere
that the House of Un-American Activities Committee (HUAC) became active in
ferreting out subversives and other threats to national security. During the second Red Scare, anticommunism
became politicized and a means to discredit FDR and his disciples. Thus in the post-war era, liberalism was
being redefined and one form of anticommunism assumed the shape of anti-New
Dealism. For one of the fundamental
tenets of postwar conservatism was the notion of the philosophical continuity
of the left (66).
It was this perceived “philosophical
continuity” that the Democrats (and the left) tried to dispel. The Popular Front became the Progressive
Party which advocated an accommodation with Stalin. The
With Democrats and New Dealers on
the defensive, they applied the secrecy associated with communism as a
defense. Haynes writes that the “conspiratorial
portrait of communism allowed anti-Communist liberals to deny any ideological
or political link between communism and the New Deal and to explain away
exposures of Communist participation in liberalism”(139). The challenge for the left was to separate liberals
and the New Deal from the Communists. Ironically,
they found an ally in Senator Joe McCarthy, for according to Haynes, the
negative consequences of his excesses “became so well established that those
seeking the historical rehabilitation of American Communists and Popular Front
liberalism have depicted all varieties of opposition to communism as forms of
McCarthyism” (162).
“By the 1960 presidential campaign,”
Haynes notes, “domestic communism was not an issue in dispute between the two
parties” (191). A new Democratic
coalition borne of the battle between Popular Front Progressives and
anticommunist liberals assumed power in 1960.
A New Left radicalism emerged shortly thereafter, but the movement was
“disorganized, anarchistic, and without the CPUSA’s covert ties to a foreign
power.” Nevertheless, the New Left had
more influence on public policy in the 1960s and 1970s than did the CPUSA, which
had dwindled to fewer than 5,000 members (194-96). (Nevertheless, historian John Lukacs remarks,
“There will always be Communists – in
Haynes concludes that Cold War
mobilization in the
II
Stephen Whitfield uses the terms
Stalinism and Communism interchangeably, thus rejecting the notion that they
are separate and distinct. He asserts
that American Communists were “enemies of civil liberties, which they disdained
as ‘bourgeois’ but which they invoked in their own behalf when opportune”
(3). On the other hand, Whitfield calls
the American Red Scare reprehensible. Unlike
our European (and by inference more “enlightened”) allies who tried to maintain
the spirit of
The Cold War generated a
politicization of culture that was manifested in art, entertainment, and
literature, but did not inhibit fertility of expression. “The culture of the 1950s,” writes Whitfield,
“was therefore not monochromatic . . .”, yet a certain narrowing occurred when
“super-patriots . . . adopted the methods of their Communist enemies, and
because the axis of partisan politics shifted so dramatically to the right”
(14). Whitfield cautions that
anticommunist zeal made the
Whitfield stops short of moral equivalency
when comparing the fate of Stalin’s political opposition with American citizens
oppressed by the Red Scare, yet he claims the latter were victims in kind if
not in degree. Caught in the fallout,
left-wing ideology lost currency with American labor and the general public. Whitfield decries the siege mentality and
“the shrunken distance between the two political parties” with regard to labor,
civil rights, and foreign policy. Americans circled the wagons and moved to the
right.
With
the Alger Hiss case, the New Deal and “the thrust of social reform became
discredited” (28). The
So did popular fiction. Mickey Spillane’s bestselling novels in the 1950s
emphasized anticommunism and often centered on rejection of liberalism. Whitfield observes that the exploits of
Spillane’s character Mike Hammer paralleled those of Sen. Joe McCarthy: a vigilante ruthlessness, loosed from the
fetters of legal guarantees in the pursuit of justice. Many conservative anticommunists distanced
themselves from McCarthy and his minions as he “altered the nature of the
anti-Communist crusade” (38). McCarthy,
according to Whitfield, promoted the notion that anticommunism was incompatible
with liberalism. Neither could sexual
perversion be separated from subversion.
McCarthyism was the wellspring for the ultra-right wing John Birch Society,
thus proving the maxim that the last men of any school or revolution are
generally the worst.
Whitfield argues that the height of
the Red Scare occurred after the CPSUA was no longer a threat. He argues that HUAC adopted the methods of
its enemy. Yet witnesses called to
testify before HUAC became known as “Fifth Amendment Communists,” invoking
their right to immunity from self-incrimination usually to avoid an inadvertent
perjury charge. (There is no record of a
Bolshevik Fifth Amendment.) Witnesses
generally took one of three courses: (a)
to invoke immunity when talking about others but not of oneself, (b) not to
invoke immunity at all and name names, or (c) not to invoke immunity but refuse
to talk about others (104). Whitfield
describes the high-profile cases of playwright Lillian Hellman, director Elia
Kazan, and playwright Arthur Miller, each of whom adopted one of the three tactics
respectively.
In summation, Whitfield maintains
that the effects of the Cold War were mixed.
In reaction to McCarthyism, President Eisenhower gradually curtailed state
excesses and adventures at home and abroad.
The
Conclusion
There are thoughtless assertions in
Whitfield’s work. First, he writes of Stalinism: “Founded upon subjugation and terror, the
Soviet system was devoted to the
violation of the humanitarian ideals of the Enlightenment” (italics added)
(2). On the contrary, Marxism and
Stalinism are of the Enlightenment by twenty tests. Secularism, relativism, scientism, State
interventionism, social engineering, futurism, Rousseau’s General Will (under
which citizens consider themselves only in their relationship to the “Body of
the State”), the abolition of private property, and most importantly the notion
of the Perfectibility of Man – all such ideas are transmitted from the philosophes to Marx in theory, and to
Stalin in action. In a second (albeit
minor) flaw, Whitfield writes that actor John Garfield’s heart attack was
directly caused by pressures from HUAC. This
is speculation to say the least (110).
Cheers to Whitfield for calling
communism Stalinism. (Marxists today gladly
dump the burden of Stalin, claiming he was not a true Marxist.) Whitfield and Haynes however ignore the macro
picture, described by Professor Philip Bobbitt of the
[1] Eric
Voegelin, The New Science of
Politics: An Introduction
(Chicago: The University of Chicago
Press, 1952), 175.
[3] John Lukacs, quoted in Russell Kirk, Prospects for Conservatives, “Part I: Prospects Abroad,” 14 June 1990, <http://adasboro.tripod.com/abroad.htm> (3 February 2006).