Azar Nafisi’s Reading
Lolita in Tehran:
The Trial of The
Great Gatsby, Some Things to Think About…
(Note than in your handout, pages 110-111 are copied twice,
so that means two less pages you have to read!)
- Why do
the Islamic Revolutionaries among Nafisi’s students hate The Great
Gatsby and believe that it should be “convicted” for being immoral?
- Why
can’t (or won’t) the Islamicists in the class enter Fitzgerald’s fictional
world? Why can’t (or won’t) they accept the complexity of individuals or
express empathy for a variety of viewpoints?
- In
reading what Mr. Nyazi has to say about The Great Gatsby, what
insights can we get into the Islamicist world view?
- How
does Ms. Zarrin’s defense of The Great Gatsby reveal that she does
not share the Islamicists’ world view?
What would you say are the differences between their world view and
hers?
- Why,
according to Nafisi, should we be wary of dreams, or, rather, think twice
before trying to turn our dreams into realities?
- Why
does Nafisi criticize those “progressive” students in Iran who believed
Westerners (the “imperialists”) were a more dangerous enemy than the
Islamic revolutionaries?
- What
are some of the things Jay Gatsby and the Islamic Revolutionaries have in
common? Are both “romantics”? Did
both subscribe to “colossal illusions”? Did both have difficulty
distinguishing imagination from reality?
Did both want to recreate a past that never existed? (Leading
questions, yes, since the author clearly believes they shared these
things, but do you think she is right? Why or why not?)
- Why
does Nafisi conclude that the values shaping Fitzgerald’s The Great
Gatsby were the “exact opposite” of those of the Iranian Revolution?
- Should
art be used as a political weapon?
Should “good art” be defined as art that advances a specific
political (or revolutionary or moral) agenda? If you find yourself on one side of this argument, how might
you make a case for the other side?
- What
is Nafisi’s assessment of the Iranian Revolution? Might her assessment apply to other “revolutions”
we have studied this semester?