Steven Wexler

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English 313-04: Popular Culture
"The Radical Romance "
Spring 2009
Jerome Richfield Hall 348
W 4:20 - 6:45 PM

Office Hours: W 2:00 - 4:00, R 10:00 - 11:00
WebCT
: https://webteach.csun.edu

Introduction
Ah, the radical romance. . . .This course looks closely at popular culture by way of the radical romance in film, television, literature, and cyberspace. We begin by asking what signifies love and relationships in the 21st century?  What texts resist and reaffirm class, gender, and the romance genre itself? In what ways has the internet transformed human relations?

Method
A play, a novel, a film, a TV show, and an internet site. We’ll define radical romance through these five primary texts with the help of literary theory, film theory, new media studies, and cultural studies.  Our friendly, workshop-style class environment will promote productive peer review, class discussions, and inspiring group projects. There are no tests but much reading and writing.

5 Primary Texts
Curtiz. Casablanca
Lessing. The Grass is Singing
MySpace.com
Williams. A Streetcar Named Desire
Will and Grace

Additional Texts
Apatow. Knocked Up
Barker, Chris.  Cultural Studies: Theory and Practice
Baudrillard. The System of Objects (excerpt)
Bordo. "'Material Girl': The Effacement of Postmodern Culture"
Butler. "Imitation and Gender Insubordination"
Crowe. Jerry Maguire
de Beauvoir. The Second Sex (excerpt)
Derrida. "Differance"
Edwards. "10"
Fiske. Television Culture (excerpt)
Foucault. The History of Sexuality (excerpt)
Harron. American Psycho
McDonald.  The Romantic Comedy: Boy Meets Girl Meets Genre
McKay. Anchorman
Nichols. The Graduate
Saussure. Course in General Linguistics (excerpt)
 

Course Objectives

  • Understand that popular culture signifies and shapes political, familial, and institutional sources of selfhood and human relations
  • Comprehend verbal and visual representations of these disciplinary forces through literal, implied, and symbolic levels
  • Identify a text’s point of view, tone, exposition, and audience
  • Analyze ideology through the textual and visual
  • Gain cultural literacy through experiencing films, internet sites,  and literary works

Course Evaluation
There are six class projects:

  • Ethnography
  • Response Paper   
  • Primary Text Class Presentation
  • Final Essay
  • Blog
  • WebCT Posts (weekly)

1. Ethnography
Ethnography is a genre of writing that uses fieldwork to provide a descriptive study of human societies.  Choose a setting where people go and where you can sit and observe uninterrupted for at least an hour, e.g., Starbucks, library, park, bar, restaurant, bowling alley, etc.  Write down your observations. Try to be as objective as possible as you look for radical as well as normative strands of love, gender, and relationships (as we've been defining "radical romance"). Under your objective observation, write a brief analysis informed by the theory and fiction/film we've read/seen thus far. Be sure to bring a notepad and take notes.  Your ethnography will look like this:

  • First half is observation.  Write down what you see not what you think it means
  • Second half is analysis.  Use our texts to makes sense of your observations
  • @ 250-500 words (one to two pages)

Post your ethnography to WebCT and to your blog.  Bring in a copy to class for discussion.   

2. Response Paper
Your three-page response paper (@750 words, not including Works Cited) addresses an “outside” text that sheds lights on one of our primary texts.  Draw from our theory, supplemental readings, and class discussions. Create and post on your blog (see “Blog” below). The response paper should include:  

  • A logical flow of ideas with unified paragraphs and effective transitions
  • Effective incorporation of research materials, primary text(s), and other texts
  • MLA documentation including Works Cited page

3. Primary Text Class Presentation
In groups of six or seven, select one of our primary texts (The Grass is Singing, Casablanca , Streetcar Named Desire, Will and Grace, or MySpace.com) and discuss their relation to our course theme (and other texts) in a 30-minute class presentation (discussion not lecture). Help your classmates analyze content, genre, and technique.  Consider how your text presents class and gender and resists and/or reaffirms old ways of seeing human relations.   Note the following:

  • Design a classroom activity 
  • Each individual is responsible for a one-page (@ 250-word) analysis that states in explicit terms how s/he contributed to the group presentation. Created and posted on blog

4. Final Essay 
Much like your response paper, your final, ten-page essay uses a primary text and supplemental readings to put forth a specific critique of a contemporary issue related to the "radical romance" that you find interesting and important. That is, go beyond our texts to establish a clear position on a main topic. How, for example, do our primary texts and supplemental readings shed light on political, economic, and institutional realities?  Like your response paper, this longer essay should represent careful scholarly work.  Final essay created and posted on blog.

5. Blog
During the first week of class, create a blog devoted to our theme, the radical romance. Be prepared to discuss your blog to the class.  All writing projects will be created and posted on blogs 

6. WebCT
Each week, post an informal yet thoughtful response to our readings and class discussion on our WebCT page. This reflection is a very important part of our coursework and a great opportunity for you to establish a meaningful dialogue with your classmates since they will post there, too.  I don’t count words, but I do look for clear, convincing reflections in a conversational tone.  Make connections to texts and things outside the class; go beyond summarizing.

Begin here: https://webteach.csun.edu

Participation
Class participation includes discussions, WebCT posts, student-instructor conferences, and workshop activities.  Everyone has something to contribute to the class, and there is always an opportunity to learn from each other.  If you do not feel comfortable speaking in class you may participate in other ways.  Although participation grades will not be distributed, I will be happy to discuss any questions you have about your progress.

NOTE:
Late work will not be accepted unless you have obtained an extension from me ahead of time. You must submit your essay even if you miss class on its due date. 

Policies
When you enroll in our class you make a commitment to your classmates. This is a participatory, collaborative workshop-style class and attendance is absolutely essential to our success. Since we meet only once per week, grades are dropped a letter after two absences and an F is given after five.  All work is due on the date specified in our syllabus. You are responsible for completing and submitting any work due for a day that you miss and you must come prepared with any work required for the following class.  Please feel free to contact me or see me during my office hours to learn what you missed and how to prepare for the next session. 

Grades
I grade holistically: you'll receive an email midterm assessment of your work with comments and grade range, e.g., "A-/B+", and then a final grade at the semester's end, once your work is assessed in its entirety.  Please feel free to come by my office, email, or phone me if you have concerns at any time during the semester.  NOTE: it is most important that I have your preferred email (please post your email on your blog) and that you check your email regularly throughout the semester.

Academic Honesty
You must be scrupulously honest in documenting the work that you have drawn from others.  Like other institutions, CSUN Primarytains a strict academic honesty policy.  Plagiarism is illegal and dishonest.  All cases of academic dishonesty must be reported to the Dean, who may suspend or permanently dismiss you from CSUN.  You will receive a course grade of F if you plagiarize in E313.

SYLLABUS
SPRING 2009

Course requirements and policies are subject to change; not all readings are represented below.  Please consult our online syllabus at http://www.csun.edu/~swexler/e313-4.htmlWork is due on the date it appearsEach week requires a WebCT post prior to class.

1/21      Introductions
            Syllabus
            Blogs, WebCT
            Ron Burgundy and the power of jazz flute
            "It's over": Scenes from Jerry Maguire and Fatal Attraction
           
1/28      Barker.  Chapter 2:  “Questions of Culture and Ideology”
            Barker.  Chapter 7: “Issues of Subjectivity and Identity”
            de Beauvoir. The Second Sex (excerpt)
            American Psycho

2/4         Williams.  A Streetcar Named Desire
              Saussure. Course in General Linguistics (excerpt)
               
2/11      Group #1:  A Streetcar Named Desire
             Derrida. "Differance"

2/18      Ethnography Due
             McDonald.  Chapter 1: “Romantic Comedy and Genre”
             McDonald.  Chapter 3:  “The Sex Comedy”
             “10”
 
2/25     McDonald.  Chapter 4:  “The Radical Romantic Comedy”
            McDonald.  Chapter 5:   “The Neo-Traditional Romantic Comedy”
            The Graduate

3/4       Group #2: The Grass is Singing
            Foucault. The History of Sexuality (excerpt)

3/11     Barker.  Chapter 9:  “Sex, Subjectivity and Representation”
           Butler. "Imitation and Gender Insubordination"

3/18    
Barker.  Chapter 10:  “Television, Texts and Audiences”
           Fiske. Television Culture (excerpt)
           Will and Grace

3/25      Group #3: Will and Grace
             Barker.  Chapter 12:  “Cultural Space and Urban Place”

4/1        Response Papers Due

4/8       SPRING BREAK

4/15      Casablanca
                               
4/22
     Group #4: Casablanca  
             Barker.  Chapter 13: “Youth, Style and Resistance”
             Barker.  Chapter 14: “Cultural Politics and Cultural Policy”
               
4/29      Group #5: MySpace.com
            
Barker.  Chapter 11: “Digital Media Culture”
             Bordo. "'Material Girl': The Effacement of Postmodern Culture"

5/6         Blog Presentations

5/ 15     Final Paper Due on Blog
            Completed blogs due