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"[In Harmonic Fields], the refined blend of timbres created a unique atmosphere, which underscored the poetic meaning of music and its structures. A very moving ending, not only for one of the best days of the festival, but also for all those who still believe in the cathartic power of contemporary art music." "Bent was a very captivating and well-constructed piece for piano and electronics, written by Liviu Marinescu." "Echoes for solo flute and tape featured virtuoso Ana Chifu, her refined sound, and intelligent phrasing. Liviu Marinescu captured the echoes through syncopated polyrhythms, followed by more linear areas, ultimately allowing all the reverberations to unwind in space." "Echoes captures the image of a closed universe, taking shape through the undulating sounds of a far-away flute. I am completely surrounded by music, which seems to be springing out of the walls of a Gothic cathedral. These acoustic effects are produced by an ingenious game, a music of the spheres for flute and pre-recorded sounds. There are pinched reverberations and pulverized lines smashing against an imaginary wall, eventually returning. They grow, contract, and fold in a flute and tape game which ultimately leads to elongated effects, departing and reappearing endlessly. Mixtures of panpipes, breathing in and out, onomatopoeic sounds, and a continuous dialog coming in waves. All these fleeting sounds are performed with virtuosity and imagination by the talented flautist Ana Chifu." "Following on a similar path towards international recognition (but without showing a particular interest for electronic music) is Liviu Marinescu, an emerging personality on the West Coast of the United States. His micro-opus called Moto Perpetuo reveals a creative force of wide scope, which in the spirit of "less is more" is at the same time well controlled and focused. After hearing such a successful work, the listener would obviously want to know more about the author. Fortunately, a few samples of Liviu Marinescu's works and ideas can be found on YouTube." "Speaking of Liviu Marinescu: the former Bucharest Music Academy student is becoming without any doubts one of the most authorized voices on the American music scene, from which he derives gestures and compositional formulas as well as the courage to distill various types of creative sparks, towards a world where everything is possible." "Beautifully tender... remarkably modelled... Liviu Marinescu held one of the most interesting night forums." "Liviu Marinescu is one of the young composers on the forefront of the musical avant-garde." "The next piece is fascinating. Liviu Marinescu's Homage Collage contains a series of short movements which pay tribute to a wide range of different composers. The references are, at times, humorous, and delightfully convincing, with Marinescu using his compositional skill to hold the different styles together in a coherent form. Even if you knew nothing of the other composer's works, this would be an interesting piece of music, which acts as a showpiece for the instruments it uses. There are some wonderful clarinet flutter-tonguing moments in the Palestrina movement, serving as a fine example of the intelligence of this composer; Palestrina's influence is obvious, and yet the harmonic and musical language is far removed from what one would associate with Palestrina. The final movement contains a variety of influences, and is entitled Bach, Debussy and others. As such, it serves to unify the work as a whole, and brings the work to a coherent end. This is an interesting work, and I'd be very interested to hear more of Marinescu's music." "... thorough and commanding organization of the musical discourse." "... Clearly, the high point [of the concert] was the European premiere of Pastiche, a collage of musical sequences written by the Romanian Liviu Marinescu for Steve Thachuk."