Name:________________________________________
English 098: Developmental
Writing
Fall 2004
Instructor: Dr. Ian Barnard (Web Page: <http://www.csun.edu/~ib9551>)
In-Person
Office Hours: R
Email: ian.barnard@csun.edu
Telephone: (818) 677-0913
A. Introduction
Welcome! I hope you find this course enjoyable and intellectually rewarding. You’ll get practice writing in various modes and for different types of audiences. Major writing assignments include an analysis of a music video, a collaborative internet review, an issue essay, a critical literacy narrative, and a preface to your portfolio. Revision will be an essential part of the work of the class. You’ll receive oral and written feedback on your paper drafts from your colleagues and me. There will be few lectures--class time will revolve around discussions and writing workshops. You’ll write multiple drafts of some or all of your papers. Small-group workshops and whole-class discussions of sample papers will give us all the chance to discuss the issues at stake in the papers, to articulate and negotiate our criteria for effective expository writing, and to address and practice a variety of rhetorical strategies in the context of specific student texts.
B. Learning
Outcomes
1) Practice using the stages of the writing process; demonstrate an understanding of the importance of revision in writing and use of successful revision strategies through revision, reflection on revision, and development of a writing portfolio.
2) Practice writing in various forms and genres, for different occasions, and for different types of audiences; demonstrate an understanding of the conventions of academic and other types of writing.
3) Use reading, writing, oral discussion, and critical thinking to develop analytic writing skills and sophisticated written discourse on a variety of topics and texts.
4) Understand and use the diverse conventions of written English; understand the political and other contexts of these conventions.
5) Develop an ability to evaluate expository writing through analysis of colleagues’ writings and published writings, and through feedback on your own writing from instructor, tutors, and colleagues.
6) Show improvement in writing over the course of the semester.
C. Required
Texts (Available at Matador
Bookstore)
1) New Voices.
2004 ed.
2) Parks, A. Franklin, et al. Structuring Paragraphs and Essays: A Guide to Effective Writing. 5th ed.
3) Sapphire. Push.
In addition, plan on spending time and money
making
photocopies of your own work for peer feedback.
Please bring the Parks text, New
Voices, and a dictionary to each class meeting.
D. Email
I acknowledge all email messages. If you email me but don’t get a response, I haven’t received your email. Feel free to email me concerning any questions you have about the course or about your work. Do not email your papers to me for feedback; I’d be happy to discuss your papers/revisions/revision ideas with you in person any time during the semester.
E. Plagiarism
Plagiarism (using someone else’s words or ideas without proper acknowledgment) is a serious offence; sanctions include a grade of “No Credit” for the course. We will discuss effective ways of using sources and issues around plagiarism in class.
F. Disability
Issues
Please see me early in the semester if you require academic accommodations based on a documented disability.
G. Course
Grade
In order to receive Credit for this course, you must satisfy the following 7 requirements:
1) Earn a “Pass” on the portfolio (see 1 below)
2) Not miss more than 4 class meetings (see 2 below)
3) Receive credit for 6 of the 7 major papers (i.e., Papers 1-4 and 3 In-Class Papers; see 3 below)
4) Receive credit for 80% of the “prewriting” assignments (see 4 below)
5) Participate in class discussions (see 5 below)
6) Meet at least twice
with a tutor
at the
7) Have at least one individual conference with me to discuss your portfolio (see 7 below)
1) Portfolio
Turn in a complete portfolio by
You portfolio consists of the following items (not necessarily in this order):
(a) Cover page
(b) Table of Contents
(c) Preface
(d) New revision of Paper 2
(e) Previous draft of Paper 2 (the one with my comments on it)
(f) New revision of Paper 3
(g) Previous draft of Paper 3 (the one with my comments on it)
(h) New revision of Paper 4
(i) Previous draft of Paper 4 (the one with my comments on it)
(j) Your strongest in-class Paper (you choose which of the 3 in-class Papers to include in the portfolio)
See prompts for Papers on pp. 4-5. The portfolio is graded holistically by at least two English 098 instructors. We will discuss the rubric used to grade the portfolio in class.
2) Attendance
Since there are no examinations and tests in this course, and since your participation in in-class workshops and other in-class activities is a vital component of the course, I expect you to attend all class meetings. It’s a good idea to save the four allowed absences for emergencies (illness, family crises, etc.). Two tardies (arriving late or leaving early) count as one absence. I will also mark you tardy if you are not prepared for class. Of course, if you add the course late you will be marked absent for any classes you missed
3) and 4) Major
Papers and “Prewriting”
Assignments
“Prewriting” assignments include paper drafts, responses to colleagues’ work, brainstorming, responses to readings, and in-class group work. To receive credit for an assignment, you must complete the assignment satisfactorily and turn in the complete assignment on time (we will discuss specific criteria in class). You cannot make up a missed in-class assignment. Except for in-class work, all writing assignments turned in to me must be typed, single-sided, double-spaced, and stapled, with one-inch margins on all sides of each page. Since I need to be able to write comments on your work, you must turn in hard copies of all assignments. You may use material from your prewriting assignments in your Papers. Papers must be titled, and pages must be numbered. After you turn in Papers 2-4 to me, I will return them to you with comments.
5) Participation in Class Discussions
As I will not spend much time lecturing, I expect you to participate vigorously, critically, and thoughtfully in the many workshops and discussions around which the course is organized. We all teach and learn in this course--I do not believe in a one-way transmission of “knowledge” from instructor to students. I don’t have all the answers, and look forward to learning as much as teaching in this course. You should direct your questions and comments in class to your colleagues as much as to me. I encourage you to talk in class; you should speak at least once during each class discussion.
6) Tutor Meetings
Each student must meet with a
7) Individual Conference
Each student will sign up for an individual conference with me. The conferences will take place in my office during Week 13. We’ll discuss which of your in-class Papers you plan on including in your portfolio, and the progress of your Paper revisions. Bring your Papers 2, 3, and 4 to your conference.
Major Papers
------------------------------------------------------------------------------------------------------------
Paper 1 (Collaborative Internet Review)
Due date:
Length: 500-750 words
With your group members, write a review of Push to be posted on amazon.com.
------------------------------------------------------------------------------------------------------------
Paper 2 (Critical Literacy Narrative)
Due date:
Revision:
Length: 750-1000 words
Write an essay about your relationship to literacy (language, speaking, writing, reading).
------------------------------------------------------------------------------------------------------------
Paper 3 (Textual Analysis)
Due date:
Revision:
Length: 750-1000 words
Write your own analysis of Madonna’s music video American Life (the original version). Analyze one scene, theme, character, motif, image, set of images, issue, or technique in the video. Ensure that your essay has a focus/thesis, and is not a collection of unconnected points about the video. While your focus should be on analyzing one aspect of the video, a strong paper will make connections between this one aspect and what you see as the important issues about/in the video. Support your thesis with specific reference to and examples from the video, and detailed discussion of these references/examples.
Learning Outcomes:
------------------------------------------------------------------------------------------------------------
Paper 4 (Issue Essay)
Due date:
Revision:
Length: 750-1000 words
Respond to one of the following two questions:
1) Do you think we should encourage children to aspire to hold jobs that are valued in our society?
2) Do you think some jobs should be more valued than others?
Support your response with specific reasons and examples. You may also refer to McWhirter’s essay in your response (if you do, use quotation marks to indicate exact quotes from McWhirter and give page references for paraphrases or ideas from McWhirter).
------------------------------------------------------------------------------------------------------------
Three In-Class Papers
Due dates: 8/24, 10/14, 11/11
Length: About 500-750 words each
Include one of these Papers in your portfolio.
------------------------------------------------------------------------------------------------------------
Portfolio Preface
Due date:
Length: 500-750 words
Write a preface introducing your portfolio. Support your points with specific references to or examples from the work in your portfolio. Consider addressing some or all of the following issues in your preface (these are suggestions, not requirements): explain the significance of the issues addressed in your work; discuss your development as a writer over the course of the semester; discuss what revisions you made to your papers and why; explain why you included the in-class Paper in your portfolio that you did; explain why you have placed your portfolio items in the order that you have; discuss what you see as the strengths and weaknesses of your writing, as reflected in your portfolio.
Caveats:
TENTATIVE SCHEDULE
Tuesday,
Introduction to course
In-class Paper (diagnostic)
Thursday,
Reading due: excerpt from New Voices
Reading due: Parks pp. 1-2
Listen to tape of Sapphire reading from Push
Tuesday,
Reading due: Push (whole book)
Thursday,
Assign Paper 1
Reading due: Parks Chapters 1 and 2
Tuesday,
Reading due: excerpt from New Voices
Thursday,
Work on Paper 1
Reading due: Parks Chapter 6
Post Paper 1 on amazon.com by
Tuesday,
Reading due: read all class members’ Push reviews on amazon.com
Each group bring 5 hard copies of Paper 1
Discuss Push
reviews
Assign Paper 2
Thursday,
Create paragraphs for Paper 2
Work on Paper 2
Reading due: Parks Chapter 16
Tuesday,
Reading due: Parks Chapter 9
Work on Paper 2
Thursday,
Paper 2 workshops (bring 4 typed, stapled copies
of your
paper)
Reading due: Parks Chapter 7
Tuesday,
Turn in revision of Paper 2 (attach workshop draft to back)
Watch film, The Mickey
Mouse Monopoly
Thursday,
Watch and discuss Madonna’s American Life music video
Assign Paper 3
Reading due: Parks Chapter 19
Tuesday,
Mid-semester evaluations of course
Work on theses for Paper 3
Thursday,
Paper 3 workshops (bring 4 typed stapled copies of your paper)
Reading due: Parks Chapter 10
Tuesday,
Turn in revision of Paper 3 (attach workshop draft to back)
Turn in tutor conference verification
In-class reading and discussion of Parks Chapter 20
Thursday,
In-class Paper
Reading due: excerpt from New Voices
Tuesday,
Assign Paper 4
Reading due: Parks pp. 271-274
Reading due: Parks Chapters 17 and 18
Thursday,
Work on theses for Paper 4
Tuesday,
Reading due: Parks Chapter 11
Thursday,
Paper 4 workshops (bring 4 typed stapled copies of your paper)
Reading due: excerpts from New Voices
Tuesday,
Turn in revision of Paper 4 (attach workshop draft to back)
In-class reading and discussion of Parks (grammar)
Bring your Papers 2, 3, and 4
Thursday,
Reading due: sample student paper for revision exercise (handout)
Global revision exercise (bring scissors and tape)
Tuesday,
Complete global revision exercise
Reading due: Parks pp. 266-274
Thursday,
In-class Paper
Reading due: excerpts from New Voices
Bring your Papers 2, 3, and 4
Tuesday,
Conferences (no class meeting; bring your Papers 2, 3, and 4 to your conference)
Thursday,
Discuss local revision
Bring your Papers 2, 3, and 4
Assign portfolio preface
Discuss portfolio
Reading due: Parks Chapter 8
Tuesday,
Work on portfolio preface
Reading due: excerpts from New Voices
Course evaluations
Thursday,
Tuesday,
Turn in portfolio
Turn in tutor conference verification
Party?
Thursday,
No class (study for finals)