Pan African Studies 155
Freshman Composition
Pan African Studies Department
Spring 2009
Spring
of 2009 has earned its own place in history with the election of Barack Hussein
Obama as the 44th President of the
Ticket No. 12020 Johnie H. Scott, M.A., M.F.A
3 Units Associate Professor
MWF, 10:00am-10:50am Santa Susanna Bldg., Room 210
General Education, Section A Office Hrs: MW, 1:00pm-2:30pm
Sierra Hall Room 284 or Friday by Appt.
Email 818-677-2289
Course Description:
PAS 155 Freshman Writing is a course designed to meet the needs of entering freshmen scoring 151 and above on the English Placement Test (EPT) or who have received CR in the Developmental Reading and Writing Skills courses. This is a media-intensive, interactive environment where each student will be expected to be registered with CSUN’s Office of Online Instruction for WebCT access, have an email account as well possess a direct, ongoing access to a PC in order to satisfy demands of this class. The PAS 155 Effective Writing/Freshman Composition course is equivalent to Asian American Studies 155, Chicano/a Studies 155 and English 155. Available for General Education, Basic Subjects credit
Textbooks:
Required:
1)
Brown, Claude, Manchild in the Promised Land, A
Touchstone Book published by Simon and
2)
Gibaldi, Joseph, The MLA Handbook for Writers of
Research Papers/6th Edition, Modern Language Association of
3) Nadell, Judith, John Langan and Eliza A. Comodromos, The Longman Reader/Brief Edition/Eight Edition, Pearson Longman Publishers, New York, NY, © 2008.
Strongly Recommended:
4)
Obama, Barack H., The Audacity of Hope: Thoughts
on Reclaiming the American Dream, Vintage Press,
Course SLOs:
ü
The course will increase the student’s ability to analyze and
comprehend college-level texts;
ü
The course will develop, through culturally diverse readings, the
awareness of rhetorical strategies as well as the abuses and uses of language;
ü
The course will increase the critical reasoning skills as they
reflect the interdependence of critical thinking and written discourse;
ü
The course will build confidence, reduce writing anxiety, and
strengthen personal voice;
ü
The course will reinforce the theory and practice of writing as a
recursive process;
ü
The course will help students understand the many contexts for
writing, including timed writing, and develop appropriate strategies for the
writer’s multiple purposes and audiences;
ü
The course will develop fluency and style by encouraging sentence
variety, increasing vocabulary, and using Edited American English;
ü
The course will increase proficiency in research techniques
required by various University disciplines and familiarizes students with
appropriate style sheets;
ü
The course will definitely facilitate the use of basic computer applications
– word processing, email, and Internet access – and other technological media
including HyperNews and PowerPoint; and
ü
The course will promote writing as a means of participation in
democracy and as a tool for social change.
Course Outcomes:
As determined by
the Task Force on University Writing at
ü
A developed facility at examining explicit relationships that
exist between general concepts and specific details;
ü
An enhanced understanding of the relationships among sentence
structures, word choice, and meaning;
ü
The ability to read critically about ideas and issues, including
multicultural perspectives; analyze and synthesize information; draw inferences
from data; draw conclusions from arguments; and distinguish fact from fiction;
ü
The ability to analyze message, audience, language choice, tone,
purpose, and author’s ethos in selections from a text;
ü
The ability to comprehend and critically assess writings that
reflect multicultural images and perspectives;
ü
The ability to recognize logical fallacies, biased language,
idioms, slang, jargon, and tone;
ü
The ability to develop ideas with logical support, including the
use of informed opinion, facts, and their interpretations;
ü
The ability to write critically about ideas, including
multicultural perspectives; analyze and synthesize information; draw inferences
from data; draw conclusions from arguments; and distinguish facts from opinion;
ü
The ability to write both independently and in collaboration with
others;
ü
The ability to assess and address appropriately the character and
needs of an explicit audience;
ü
A facility in using different genres in writing (e.g.,
autobiography, editorials, and case studies) for different academic disciplines
or discourse communities;
ü
The ability to apply the concepts of subordination/coordination;
abstract/concrete words; general/specific examples; and cohesion;
ü
Development of vocabulary appropriate to the subject and/or topic;
ü
The ability to effectively use the syntactic and mechanical conventions
of Edited American English (e.g., grammar, usage, mechanics, and diction);
ü
The ability to integrate one’s own ideas with those of others,
using appropriate documentation;
ü
The ability to effectively use library and online resources;
ü
The ability to use a style sheet consistently, such as MLA or APA
style sheets;
ü
Knowledge and mastery of basic word processing, email, HyperNews,
PowerPoint and the Internet;
ü
The ability to use computer technology in the writing process,
including research and documentation;
ü
An awareness and appreciation of diverse cultures and contexts of
human experience;
ü
The ability to show ways that writing can contribute to society
and be an instrument for change; and
ü
Lastly, the student will be able to demonstrate the ability to
write for possible publication.
Course Requirements:
There are seven (7) primary grade
requirements for this course, each directly linked to the objectives and
outcomes established by the Task Force on University Writing stated for
155-level Freshman Composition courses. Each requirement serves as one of the
primary grade factors that are averaged together in reaching the cumulative
grade point average for the student. In the Pan African Studies Writing Program,
th3se seven “basic” grade requirements comprise the Student Portfolio. They are
as follows:
Ø
Timed Essay Examinations: There will be three (3) timed essay
examinations given in this course – a Pre-Semester, Midterm, and Departmental
Common Essay. The student is to acquire three large Blue Books (i.e., 8 ½”x11”)
in order to take these examinations. The Midterm and Departmental Common Essay
are averaged together as one component of the final course grade average. No
student shall receive a grade of “C” or higher in this course who misses and
fails to makeup the Midterm Essay, the Departmental Common Essay, or both (No
exceptions!);
Ø
Objective Examinations: There will be three (3) course-based
examinations given in this class including an Objective Quiz, the Midterm Objective Examination and
the Exit Essay Examination. The Midterm is a comprehensive
examination focusing on the material covered in the class from lectures to
homework to group presentations, readings, and other subject matter as
designated by the course instructor. The Exit Essay Examination is a timed
essay of 50 minutes requiring a large Blue Book (i.e., 8 ½”x11”). The three examinations
form the second primary factor in grade averaging for the course;
Ø
Formal Homework: There are specific homework assignments
for this class, all of which must be submitted to the instructor at the date
and time indicated either in the course syllabus or from the instructor. Unless
otherwise indicated, all homework for this class is to be submitted via email
to the course instructor. Late homework will not be accepted for grading
unless the student has a verifiable, acceptable excuse (i.e., “My computer
broke down” or “My dog ate my paper” are not acceptable!). To qualify for
an honor grade in this class of “B” or higher, the student must achieve a grade
average of at least 2.3 on the homework – No exceptions! The homework
constitutes the third grade factor for the class;
Ø
Write Time
Discussion Forums: The class has Internet Discussion Forums using WebCT4 in which
students participate in a dialogue – WRITE TIME – wherein they made a series of
at least three (3) postings per discussion topic. There are a total of four (4)
WRITE TIME forums for the semester. The first posting is the student’s response
to a question developed and directed by the course instructor to the entire
class. The remaining two postings are done by the student indirect response to
the comments made by two (2) classmates on the same Discussion Forum Prompt.
Students must make the three postings in order to qualify for the maximum
points, with each WRITE TIME Forum valued on the 4.0 grade scale and then,
finally, averaged together at the end of the term. These WRITE TIME Discussion
Forums shall be open for a stated period of 3-4 weeks during which time the
student makes his/her posting. No postings shall count towards the student
grade that are made after the WRITE TIME Forum has been closed (i.e., whether
it is 30 minutes afterwards or one week later, in either instance the student
shall have failed to post during the appropriate time period.). WRITE TIME
constitutes the fourth basic course requirement;
The history-making quest of Barack Obama for the U.S. Presidency
affords an opportunity for students in this class to discuss issues of race,
politics, and race relations in the context of mastering Information Age media
along with interpersonal communication.
Ø
Collaborative Writer
Project (CWP): The
student participates in two (2) Collaborative Writer Projects (CWP) for the
semester – (1st) the Rules of the Academy Group Presentations and (2nd)
Research and Writing Mechanics. The presentations are made using PowerPoint
with formal study guides prepared for the class. These CWPs are averaged
together in representing the fourth grade factor for the class. No student may
expect a grade of “B” or higher who fails to participate in these CWPs which
are formal group presentations of 20-25 minutes, with study guides and
discussion of assigned topics being made to the class. The Collaborative Writer Projects
represent the fifth basic course requirement;
Exposure to
multicultural, multiethnic issues and social dynamics such as those raised in
the Academy Award-winning Best Foreign Picture Tsotsi (
Ø
Writing Topics: Students in this class will write and
submit a total of four (4) essays within the modes of discourse – the Personal
Narrative, Evaluative, Problem-Solution and the Argument. These papers will be
written in standard manuscript format, typewritten, double-spaced with cover
pages. It is a requirement and expectation that these papers will be rewritten
and revised as deemed necessary by the course instructor as part of the
recursive process that writing is. The papers constitute the sixth factor in
grading for the class;
Ø
Critical Evaluation: The assigned reader for this course is
Claude Brown best-selling autobiographical novel Manchild in the Promised Land.
Based upon the student’s reading and research of this book and the issues
raised therein by its author, this critical analysis is to be written according
to standard manuscript format. Synergistically, it will combine the evaluative,
analytical and argumentative modes of discourse. As the capstone work for this
Freshman Composition class, the paper is to be no less than 2,000 typewritten,
double-spaced words (i.e., eight pages) with no less than fifteen (15) formal
citations including six (6) drawn from at least three (3) outside,
peer-reviewed references. This paper must have a “Works Cited” section done
according to Modern Language Association guidelines. Due as noted in the
course schedule, no student shall receive a grade of “B” or higher in this
class who fails to submit this paper which constitutes the seventh and final
primary grading factor for the course – no exceptions!
There are
“bonus” considerations. Bonus points are added to the basic grade point average
derived from the seven “basic” grade factors and then divided by that same
number (i.e., 7) in reaching the “cumulative” grade point average (gpa) for the
course. Those “bonus” considerations are as follows:
Nikki Giovanni is among the Black American poets whose work
provides opportunities for students in PAS 155 to grow and mature in regards to
literary aesthetics.
Grading Policies:
Grading in this class is done on the
“Plus/Minus” system described in the CSUN Undergraduate and Graduate Catalogue. The
final course grade in this class is based on the average of the seven (7)
primary grade factors detailed under “Course Requirements” combined with any bonus
points earned by the student. Grading shall be as follows:
Students are to make special note
that final cumulative grade point averages are not “rounded off.” The final GPA
– the mean average of the seven primary grade factors and the earned bonus
points – is what the student developed as his/her body of work in the course
and is that grade the student will receive. The grade of “Incomplete” will
only be awarded to those students with a cumulative gpa of 3.0 or higher who,
due to unforeseen and fully verifiable circumstances, are unable to complete
one or more of the final course requirements (i.e., the Term Paper and/or Final
Course Examination).
In the event there are violations of the Student Conduct
Code with regards to Academic Dishonesty, the student(s) shall be liable to any
sanctions delineated in Section 41301, Title V, and California Code of
Regulations, for which any offending student may be expelled, suspended, or
given a less serious disciplinary sanction. "Academic dishonesty is an
especially serious offense and diminishes the quality of scholarship and
defrauds those who depend upon the integrity of campus programs."
("Academic Dishonesty," CSUN Undergraduate and Graduate Catalogue).
Course Schedule
“For where do you run when you are already in the
Promised Land?” is the question wailed by Claude Brown in his autobiographical
novel Manchild In The Promised Land which, with more than 2 million
copies sold, ranks not only as one of the most stirring an profound works in
American letters but also one of the all-time best-selling works. Book offers splendid
opportunity for reading and research by students with focus on urban American
culture.
Week One (January 19th- January
25th, 2009) Ground Zero – Now
It Begins
“I
do solemnly swear that I will faithfully execute the office of the president of
the
– taking that oath on Tuesday, January 20th, his hand on Abraham Lincoln’s Bible, Barack Obama becomes America’s 44th president, and the first African American to be sworn in.
Wednesday, January 21st, 2009 What Professors Expect of Students: Of Objectives, Outcomes and Requirements
Assignment: To send “PAS 155 Checking In” email to Course Instructor and secure WebCT
Password for Office of Online Instruction.
Friday, January 23rd, 2009 Orientation: “Student Conduct Code” and Write Time Protocols
pgs. 1-5, from The Longman Reader.
Note
– Monday, January 19th, 2009 is National
Week Two (January 26th-
February 1st, 2009) Pre-Semester Testing
Monday, January 26th, 2009 Pre-Semester Essay Exam (Large Blue Book Required)
HW#1: “Making Choices: The 9-Step Life Management Program” (Key Concepts and Discussion Questions)
Wednesday, January 28th, 2009 HW#1 Due (Via email as Microsoft Word attachment by 9:00am)
Longman Reader.
Write Time #1: “The Task of Writing Mastery,” Opens as of 3:00pm students having
through 3:00pm, February 4th, to answer the original writing prompt.
Friday, January 30th, 2009 Presentation: Guidelines for Coursework Submissions
Pre-Semester Diagnostic Test: Logical Relationships Scan-Tron Form 882 Required)
from The Longman Reader; Chapter 3, Manchild in the Promised Land.
HW#2: “The 13 Steps to Effective Listening and Note-Taking Skills” (Key Concepts and Discussion
Questions)
Week Three (February 2nd –
February 8th, 2009) Time Management
Nefertiti, the Egyptian Queen of the Eighteenth
Dynasty, was known for her love of wisdom and learning. PAS 155 students excelling
in scholarship and writing have opportunity to earn award named after this
great queen based upon their performance in class.
Monday, February 2nd, 2009 HW#2 Due (Via email as Microsoft Word attachment by:00am)
Presentation: The Nefertiti Awards
  Pre-Semester Diagnostic Test: Usage (Scan-Tron Form 882 Required)
Wednesday, February 4th, 2009 Lecture/Discussion: “The 9-Step LMP”
Presentation/Discussion:
Pre-Semester Testing Results with Selected
Examinations CWP Assignment #1
Return of Pre-Semester Essay Examinations for Revisions (To be done in either PAS Writing
Center or University LRC with Writing Specialists)
from The Longman Reader; Chapter 4, Manchild in the Promised Land.
HW#3: “Opening and Closing Essay Gambits” (Key Concepts and Discussion Questions”)
Friday, February 6th, 2009 HW#3 Due (Via email as Microsoft Word attachment by 9:00am)
Lecture/Presentation: “The 3 Stages of Writing: Stage One, The Creating Stage”
Longman Reader; Chapters 5-6, Manchild in the Promised Land.
–
Week Four (February 9th –
February 15th, 2009) The Principle of Unity
Monday, February 9th, 2009 HW#4 Due (Due at start of class, handwritten using blue or black ink)
Lecture/Presentation: “Opening and Closing Strategies for Paragraphs and Essays”
Longman Reader.
HW#5: The Power Words.
Wednesday, February 11th, 2009 HW#5 Due (Via email using Microsoft Word as of 9:00am)
Return of Pre-Semester Essay Rewrites with Original Blue Books (At start of class with the
signatures from Writing Center Specialists attached)
Lecture/Presentation: “The Principle of Unity: The Topic Sentence Paragraph”
from The Longman Reader.
Friday, February 13th, 2009 Lecture/Presentation: “The Principle of Unity: Levels of Development in the Longer Compositions”
Longman Reader; Chapter 7, Manchild in the Promised Land.
HW#6: The Cubing Technique (Key Concepts to be emailed and actual Technique handwritten using
blue or black ink, both due as of Monday, February 16th with Cubing Technique on Assigned
Topic)
Week Five (February 16th –
February 22nd, 2009) Principle of Coherence
Monday, February 16th, 2009 HW#6 Due (Key concepts via email using Microsoft Word as of 9:00am with Cubing technique
due at start of class)
Lecture/Presentation: “The Principle of Coherence: From Repetition of Key Terms to Transitions”
Wednesday, February 18th, 2009 Lecture/Presentation: “The Principle of Coherence: Synonym Reference”
Write Time #1 Closes (As of 9:00am)
Write Time #2: “The Inauguration of Barack Obama” Opens (As of 4:00pm with students
having up through 4:00pm, Wednesday, February 25th, in which to respond to the
original writing prompt)
"Praise Song for the Day': President Barack Obama shown greeting supporters during his successful campaign to become country’s 44th Head of State.
Friday, February 20th, 2009 Lecture/Presentation: “The Revision Process in Writing: Five Revising Strategies to Put in
Your Writer’s Toolkit”
HW#7: “Flavio’s Home” by Gordon Parks, pgs. 84-90, Questions for Close Reading/Questions About
the Writer’s Craft, pg. 90, from The LongmanReader.
Week Six (February 23rd –
March 1st, 2009) Organization in Writing
Monday, February 23rd, 2009 HW#7 Due (Via Email using Microsoft Word as of 9:00am)
Lecture/Presentation: “Organization – Part 1” (Power Point)
HW#8: “The Storm This Time” by David Helvarg, pgs. 92-97, Questions for Close Reading/Questions
About the Writer’s Craft, pgs. 97-98 from The Longman Reader.
Wednesday, February 25th, 2009 HW#8 Due (Via email using Microsoft Word as of 9:00am)
Lecture/Presentation: “Organization – Part 2” (Power Point)
Friday, February 27th, 2009 Objective Quiz (45 minutes)
Week Seven (March 2nd – March
8th, 2009) Group
Presentations – Round 1
Monday, March 2nd, 2009 Round 1 of Group Presentations: Group 1 (Each group has 20-25 minutes)
HW#9: “Sister Flowers” by Maya Angelou, pgs. 100-104, Questions for Close Reading/Questions About the
Writer’s Craft, pgs. 104-105 from Longman Reader.
Wednesday, March 4th, 2009 HW#9 Due (Via email as Microsoft Word attachment by 9:00am)
Round 1 of Group Presentations: Groups 2-3 (Each group has 20-25 minutes for presentation)
Friday, March 6th, 2009 Round 1 of Group Presentations: Groups 4-5 (Each group has 20-25 minutes to make presentation)
Promised Land.
HW#10: “Salvation” by Langston Hughes, pgs. 127-129, Questions for Close Reading/Questions About the
Writer’s Craft, pg. 129 from The Longman Reader.
Week Eight (March 9th – March
15th, 2009) Midterm Examinations
Monday, March 9th, 2009 HW#10 Due (Via email as Microsoft Word attachment by 9:00am)
Midterm Essay Examination (Large Blue Book Required)
Wednesday, March 11th, 2009 Lecture/Presentation: “The Modes of Discourse – Description and Narration”
WA#1: To do Looping and Cubing on Selected Topics & 750-word Personal Experience Narrative on
Assigned Topic
Midterm Objective Examination Review
Friday, March 13th, 2009 Midterm Objective Examination – Part 1: Terminology (45 minutes)
Week Nine (March 16th – March
22nd, 2009) Writing Clarity
With Jessie Jackson in background listening intently,
Bill Cosby makes “Pound Cake” speech
Monday, March 16th, 2009 Midterm Objective Examination – Part 2: Conventions (45 minutes)
Wednesday, March 18th, 2009 WA#1 – Personal Experience Narrative – Due (At start of class with Looping and Cubing Creating
Techniques Attached)
Lecture/Presentation: "The Evaluative Essay: Critical Considerations iof Format and Style"
Write Time #2 Closes (As of 4:00pm)
Write Time #3 Opens: Reflections on the Import of Bill Cosby’s ‘Pound Cake’ Speech
(Opens as of 5:00pm with students having up through 5:00pm Wednesday,
March 25th, in which to respond to the original writing prompt itself)
Friday, March 20th, 2009 Lecture/Presentation: “The Evaluative Essay: Developing the Voice of a Critic –
WA #2: To do Looping and Cubing on Assigned Topic + 1,000 word Critique of the Alvin Ailey American Dance Theater (See below)
Round 2 of Group Presentations – MLA Guidelines: Group Assignments (Each group to have 45 minutes in
which to make presentation)
Week Ten (March 23rd – March
29th, 2009) Modes of
Discourse -- Exemplification
Monday, March 23rd, 2009 Midterm Status Report: Essay Exams, Objective Exams, Group Presentations, HW Average and Bonuses
HW#11:
“Black Talk and Pop Culture” by Leslie Savan, pgs. 156-162, Questions for Close
Questions About the Writer’s Craft,” pg. 163 from The Longman Reader.
Wednesday, March 25th, 2009 HW#11 Due (Via email as Microsoft Word attachment by 9:00am)
Peer Critiques – Selected WA#1 Personal Experience Narratives
Friday, March 27th, 2009 WA#2 – The Critical Review of Alvin Ailey American Dance Theater – Due (At start of class with Looping and Cubing Creating Techniques attached
Lecture/Discussion: “Sentence Clarity: The Elimination of Dangling Modifiers and Other Errors that Thwart Effective Discourse”Week Eleven (March 30th –
April 5th, 2009) Writing for
Dramatic Effect: The Function Paragraph
Monday, March 30th, 2009 Lecture/Discussion: "The Principle of Coherence in Writing"
WA#3: To do Cubing Technique & 1,000-word Evaluative Essay on Tsotsi (2005) (Note that film is
available for viewing in
Tsotsi, the Academy
Award-winning Best Foreign Film from
living in a shantytown on the outskirts of
In process, Chweneyagae's performance earned him
coveted NAACP Image Award for Best Actor.
Wednesday, April 1st, 2009 Lecture/Presentation: "Writing for Dramatic Effect: The Function Paragraph
Friday, April 3rd, 2009 WA#3 Due (At start of class with Cubing Technique attached)
In-Class Essay Exam (Large Blue Book Required)
Chapter 9, “Cause-Effect,” pgs. 285-294 from The Longman Reader.
Note – Spring Break is April 6th-
April 12th, 2009)
Week Twelve (April 13th –
April 19th, 2009) Argumentation and Persuasion
Gifted poet, Pulitzer Prize-winning novelist Alice
Walker (The Color Purple) is among those writers studied in this course for
their style, elegance and grace in writing.
Monday, April 13th, 2009 Peer Critiques: Selected In-Class Essay Examinations (Blue Books returned to students for revisions to be
done in
Return of WA#3 Evaluative Essays (For revisions
to be done in
HW#12: “Beauty: When the Other Dancer Is the Self” by Alice Walker, pgs. 306-312, Questions
for Close Reading/Questions About the Writer’s Craft, pgs. 312-313 from The Longman Reader.
Wednesday, April 15th, 2009 HW#12 Due (Via email as Microsoft Word attachment by 9:00am)
Special Workshop: “Library Information Sciences and the Annotated Bibliography” (Guest Lecturer,
Prof. Lynn Lampert, Sr. Research Librarian, Oviatt Library as class meets at
Oviatt Library)
Assignment: Students to develop Term Paper Working Thesis with two (2) source documents
Write Time #3 Closes (As of 5:00pm)
Final Write Time #4 Opens: “For Time Capsule To Be Read 100 Years from Today: ‘What It Will Take
to Build Strong Pan African Studies Programs’” As of 6:00pm with students having until
April 22nd to answer the original writing prompt)
Friday, April 17th, 2009 In-Class Essay Exam Revisions Due (With original Blue at start of class)
PAS Term Paper Working Theses Due (Via email using Microsoft Word, Thesis Statement with two sources
by 9:00am)
Lecture: “The Modes of Discourse: Argumentation and Persuasion”
WA#4: To do Looping and Cubing Techniques & 1,000-word Argumentative Essay written according to
MLA specifications with no less than six (6) citations and a Works Cited page with no less than
two sources on Assigned Topic. Papers failing to meet or exceed these requirements will automatically
be judged as “Failing” – no exceptions!
Week Thirteen (April 20th –
April 26th, 2009) MLA Guidelines
Monday, April 20th, 2009 Return of Approved PAS Term Paper Theses
WA#3 Rewrite Due (With original draft attached, at start of class)
Round 2 of Presentations: Group 1 –”Using the Library to Find Books On Your Subject,” pgs. 449-456
from The Longman Reader, Appendix A (Each group with 45 minutes)
Wednesday, April 22nd, 2009 Round 2 of Presentations: Group 2 – “Using the Internet Research Your Subject,” pgs. 456-462
from The Longman Reader, Appendix A (Each group with 45 minutes)
Friday, April 24th, 2009 Round 2 of Presentations: Group 3 – “Documenting Sources,” pgs. 462-468 from The Longman Reader,
Appendix A (Each group with 45 minutes)
Week Fourteen (April 27th –
May 3rd, 2009) The Capstone Paper
Monday, April 27th, 2009 WA#4 Due (At start of class with Creating techniques attached)
Round 2 of Presentations: Group 4 – “List of Works Cited,” pgs. 469-473 from The Longman Reader,
Appendix A (Each group with 45 minutes)
Wednesday, April 29th, 2009 Round 2 of Presentations: Group 5 – “Citing Electronic Sources to Citing Other Nonprint Sources,”
pgs. 473-475 from The Longman Reader, Appendix A (Each group with 45 minutes)
Friday, May 1st, 2009 Lecture/Presentation: “Writing the Term Paper: Format and Guidelines
Week Fifteen (May 4th – Mau 10th,
2009) Post-Semester Assessments
Monday, May 4th, 2009 PAS Term Paper Working Outline Due (Via email using Microsoft Word as of 9:00am)
Departmental Common Essay (Large Blue Book Required)
Wednesday, May 6th, 2009 Post-Semester Diagnostic Tests: Logical Relationships and Usage (Scan-Tron Form 882 Required)
Friday, May 8th, 2009 Peer Critiques: Selected Writing Assignments
Final
Week Sixteen (May 11th – May
17th, 2009) Finals Week
See CSUN Spring Calendar for
Final Examination Dates and Times
Friday, May 15th, 2009 Manchild in the Promised Land Capstone Papers Due (In PAS Main Office, Santa Susanna Building Room 221, by
or before 4:30pm – no exceptions!)