Collections of Essays
Allison, Jonathan, ed. Yeats's Political
Identities: Selected Essays. Ann
Arbor: University of Michigan Press, 1996.
Bloom, Harold, ed. William Butler Yeats. New York: Chelsea House Publishers, 1986.
Donoghue, Denis, ed. The Integrity of
Yeats. Thomas Davis Lectures . Cork,
Ireland: Mercier, 1964.
Donoghue, Denis, and J. R. Multryne, eds. An
Honoured Guest: New Essays on W. B. Yeats. London: Edward Arnold, 1965.
Finneran, Richard J., ed. Yeats Annual,
No. 1. Atlantic Highlands, NJ:
Humanities Press, 1982.
Finneran, Richard J., ed. Critical Essays
on W. B. Yeats. Boston: Hall, 1986.
Fleming, Deborah, ed. W. B. Yeats and
Postcolonialism. Locust Hill Literary
Studies 29. West Cornwall, CT: Locust Hill, 2001.
Gordon, D. J., ed. W. B. Yeats: Images of
a Poet. Manchester, England:
Manchester University Press, 1961.
Gwynn, Stephen, ed. William Butler Yeats:
Essays in Tribute. Port Washington,
NY: Kennikat Press, 1965.
Hall, James, and Martin Steinmann, eds. The
Permanence of Yeats. Reprint of the
1950 ed. New York: Collier Books, 1961.
Harper, George Mills, ed. Yeats and the
Occult. Toronto: Macmillan of Canada,
1975.
Jeffares, A. Norman, ed. W. B. Yeats: The
Critical Heritage. London: Routledge
and Kegan Paul, 1977.
Jeffares, A. Norman, ed. Yeats, Sligo, and
Ireland: Essays to Mark the 21st Yeats International Summer School. Irish Literary Studies, No. 6 . Gerrards Cross,
England: Colin Smythe, 1980.
Jeffares, A. Norman, and K. G. W. Cross, eds.
In Excited Reverie: A Centenary Tribute to William Butler Yeats, 1865-1939. New York: Macmillan, 1965.
Keane, Patrick J., ed. William Butler
Yeats: A Collection of Criticism. New
York: McGraw-Hill, 1973.
Kirschner, Paul, and Alexander Stillmark,
eds. Between Time and Eternity: Nine Essays on W. B. Yeats and His
Contemporaries Hofmannsthal and Blok.
Amsterdam: Rodopi, 1992.
Maxwell, D. E. S., and Suheil Badi Bushrui,
eds. W. B. Yeats, 1865-1965: Centenary Essays on the Art of W. B. Yeats. Ibadan: Ibadan University Press, 1965.
McGrory, Kathleen, and John Unterecker, eds. Yeats,
Joyce, and Beckett: New Light on Three Modern Irish Writers. Lewisburg: Bucknell University Press, 1976.
Mikhail, E. H., ed. W. B. Yeats: Interviews
and Recollections. 2 vol. New York:
Barnes and Noble, 1977.
Miller, Liam, ed. Dolmen Press Yeats
Centenary Papers, 1965. Dublin:
Dolmen Press, 1965.
O'Driscoll, Robert, and Lorna Reynolds, eds. Yeats
and the 1890s. Shannon: Irish
University Press, 1971.
O'Driscoll, Robert, and Lorna Reynolds, eds. Yeats
and the Theatre. Niagara Falls, NY:
Maclean-Hunter Press, 1975.
Orr, Leonard, ed. Yeats and Postmodernism. Syracuse: Syracuse University Press, 1991.
Skelton, Robin, and Ann Saddlemyer, eds. The
World of W. B. Yeats: Essays in Perspective. Revised as The World of W. B. Yeats (Seattle: University of Washington Press, 1967).
Victoria: Adelphi Bookshop for University of Victoria, 1965.
Stallworthy, Jon, ed. Yeats' Last Poems: A
Casebook. London: Macmillan, 1968.
Toomey, Deirdre, ed. Yeats and Women. London: Macmillan, 1997.
Unterecker, John, ed. Yeats: A Collection
of Critical Essays. Englewood Cliffs,
NJ: Prentice-Hall, 1963.
Critical Studies and
Biographical Books
Adams, Hazard. Blake and Yeats: The
Contrary Vision. New York: Russell
and Russell, 1968.
Adams, Hazard. The Book of Yeats's Poems. Tallahassee: Florida State University Press, 1990.
Adams, Hazard. The Book of Yeats's Vision:
Romantic Modernism and Antithetical Tradition. Ann Arbor: University of Michigan Press, 1995.
Adams, Joseph. Yeats and the Masks of
Syntax. New York: Columbia University
Press, 1984.
Albright, Daniel. The Myth Against Myth: A
Study of Yeats's Imagination in Old Age.
London: Oxford University Press, 1972.
Albright, Daniel. Quantum Poetics: Yeats,
Pound, Eliot, and the Science of Modernism. Cambridge, England: Cambridge University Press, 1997.
Archibald, Douglas N. Yeats. Syracuse: Syracuse University Press, 1983.
Armstrong, Gordon S. Samuel Beckett, W. B.
Yeats, and Jack Yeats: Images and Words.
Lewisburg, PA: Bucknell University Press, 1990.
Bachchan, Harbans. W. B. Yeats and
Occultism. Delhi: Shri Jainendra
Press, 1965.
Balliet, Conrad A., and Christine Mawhinney. W.
B. Yeats: A Census of the Manuscripts.
[Garland Reference Library of the Humanities, No: 772] . New York: Garland,
1990.
Bayley, John. The Romantic Survival: A
Study in Poetic Evolution. London:
Constable, 1960.
Berryman, Charles. W. B. Yeats: Design of
Opposites. New York: Exposition
Press, 1967.
Beum, Robert. The Poetic Art of William
Butler Yeats. New York: Frederick
Ungar, 1969.
Bloom, Harold. Yeats. New York: Oxford University Press, 1970.
Bloom, Harold. Kabbalah and Criticism. New York: Continuum, 1975.
Bohlmann, Otto. Yeats and Nietzsche: An
Exploration of Major Nietzschean Echoes in the Writings of William Butler Yeats. Totowa, NJ: Barnes and Noble Books, 1982.
Bornstein, George. Yeats and Shelley. Chicago: University of Chicago Press, 1970.
Bornstein, George. Transformations of
Romanticism in Yeats, Eliot, and Stevens.
Chicago: University of Chicago Press, 1976.
Bornstein, George, ed. The Early Poetry,
Manuscript Materials: Mosada and The Island of Statues. Ithaca: Cornell University Press, 1987.
Bradford, Curtis. Yeats at Work. Carbondale: Southern Illinois University Press,
1965.
Bradford, Curtis. Yeats's Last Poems Again. Dublin: Dolmen Press, 1966.
Bradford, Curtis. W. B. Yeats: The Writing
of The Player Queen. DeKalb: Northern
Illinois University Press, 1977.
Bradley, Anthony. William Butler Yeats. New York: Frederick Ungar, 1979.
Bramsback, Birgit. The Interpretation of
the Cuchulain Legend in the Work of W. B. Yeats. Reprint of the 1950 edition. Folcroft, PA: Folcroft
Press, 1970.
Bramsback, Birgit. Folklore and W. B.
Yeats: The Function of Folklore Elements in Three Early Plays. Uppsala: Academiae Ubsaliensis, 1984.
Braun, John T. The Apostrophic Gesture. The Hague: Mouton, 1971.
Bushrui, Suheil B. Yeats's Verse-Plays:
The Revisions 1900-1910. Oxford:
Clarendon Press, 1965.
Bushrui, Suheil B., and J. M. Munro, eds. Images
and Memories: A Pictorial Record of the Life and Work of W. B. Yeats. Beirut: Dar al-Mashreq, 1970.
Byrd, Thomas L. The Early Poetry of W. B.
Yeats: The Poetic Quest. Port
Washington, NY: Kennikat Press, 1978.
Christ, Carol T. Victorian and Modern
Poetics. Chicago: University of
Chicago Press, 1984.
Clark, David R. W. B. Yeats and the
Theatre of Desolate Reality. Dublin:
Dolmen Press, 1965.
Clark, David R. That Black Day: The
Manuscripts of Crazy Jane on the Day of Judgement. Portlaoise, Ireland: Dolmen Press, 1980.
Clark, David R., ed. Words for Music
Perhaps and Other Poems: Manuscript Materials by W. B. Yeats. Cornell Yeats. Ithaca, NY: Cornell University Press,
1999.
Clarke, Austin. The Celtic Twilight and
the Nineties. Dublin: Dolmen Press,
1969.
Cowell, Raymond. W. B. Yeats. London: Evans Bros, 1969.
Cowell, Raymond. Critics on Yeats. Coral Gables: University of Miami Press, 1971.
Craig, Cairns. Yeats, Eliot, Pound, and
the Politics of Poetry: Richest to the Richest. Pittsburgh: University of Pittsburgh Press, 1981.
Cross, K. G. W., and R. T. Dunlop. A
Bibliography of Yeats Criticism, 1887-1965. London: Macmillan, 1971.
Cullingford, Elizabeth Butler. Yeats,
Ireland, and Fascism. New York: New
York University Press, 1981.
Cullingford, Elizabeth Butler, ed. Yeats:
Poems, 1919-1935. London: Macmillan,
1984.
Cullingford, Elizabeth Butler. Gender and
History in Yeats's Love Poetry.
Cambridge: Cambridge University Press, 1993.
Dalsimer, Adele. The Unappeasable Shadow:
Shelley's Influence on Yeats. New
York: Garland, 1988.
Deane, Sheila. Bardic Style in the Poetry
of Gerard Manley Hopkins, W. B. Yeats, and Dylan Thomas. Ann Arbor: UMI Research Press, 1989.
Desai, Rupin W. Yeats's Shakespeare. Evanston: Northwestern University Press, 1971.
Diggory, Terence. Yeats and American
Poetry: The Tradition of the Self.
Princeton, NJ: Princeton University Press, 1983.
Domville, Eric, ed. A Concordance to the
Plays of W. B. Yeats. 2 vol. Ithaca:
Cornell University Press, 1972.
Donoghue, Denis. William Butler Yeats. New York: Viking Press, 1971.
Dorn, Karen. Players and Painted Stage:
The Theatre of W. B. Yeats. Brighton,
Sussex: Harvester Press, 1984.
Dyson, A. E. Yeats, Eliot, and R. S.
Thomas: Riding the Echo. Atlantic
Highlands, NJ: Humanities Press, 1981.
Easton, Malcolm, ed. T. Sturge Moore:
Contributions to the Art of the Book and Collaboration with Yeats. Hull, England: University of Hull, 1970.
Eddins, Dwight. Yeats: The Nineteenth
Century Matrix. University:
University of Alabama Press, 1971.
Ellis-Fermor, Una. The Irish Dramatic
Movement. London: Methuen, 1954.
Ellmann, Richard. Yeats: The Man and the
Masks. London: Macmillan, 1949.
Ellmann, Richard. The Identity of Yeats. New York: Oxford University Press, 1964.
Ellmann, Richard. Eminent Domain: Yeats
Among Wilde, Joyce, Pound, Eliot, and Auden. New York: Oxford University Press, 1967.
Ellmann, Richard. Four Dubliners--Wilde,
Yeats, Joyce, and Beckett.
Washington: Library of Congress, 1986.
Engelberg, Edward. The Vast Design:
Patterns in W. B. Yeats's Aesthetic.
Toronto: University of Toronto Press, 1964.
Farag, Fahmy. The Opposing Virtues, Two
Essays: "Needless Horror or Terrible Beauty: Yeats's Ideas of Hatred, War,
and Violence" and "W. B. Yeats and the Politics of A Vision". Dublin: Dolmen Press, 1978.
Faulkner, Peter. William Morris and W. B.
Yeats. Dublin: Dolmen Press, 1962.
Finneran, Richard J. The Olympian and the
Leprechaun: W. B. Yeats and James Stephens. [New Yeats Papers, #16] . Dublin: Dolman Press, 1978.
Finneran, Richard J. Editing Yeats's Poems. New York: St. Martin's Press, 1983.
Finneran, Richard J. Editing Yeats's
Poems: A Reconsideration. New York: St.
Martin's Press, 1990.
Finneran, Richard J., Alan B. Himber, George
Mills Harper, and William M. Murphy, eds. Letters to W. B. Yeats. 2 vol. New York: Columbia University Press, 1977.
Flannery, James W. W. B. Yeats and the
Idea of a Theatre: The Early Abbey Theatre in Theory and Practice. New Haven: Yale University Press, 1989.
Flannery, Mary. Yeats and Magic: The
Earlier Works. New York: Barnes and
Noble, 1977.
Fleming, Deborah. `A Man Who Does Not
Exist': The Irish Peasant in the Work of W. B. Yeats and J. M. Synge. Ann Arbor: University of Michigan Press, 1995.
Fletcher, Ian. W. B. Yeats and His
Contemporaries. New York: St.
Martin's Press, 1987.
Foster, R. F. W. B. Yeats: A Life, I: The
Apprentice Mage, 1865-1914. Oxford,
England: Oxford University Press, 1997.
Fraser, G. S. W. B. Yeats. Rev. ed. London: Longmans, Green, 1965.
Frazier, Adrian. Behind the Scenes: Yeats,
Horniman, and the Struggle for the Abbey Theatre. [New Historicism: Studies in Cultural Poetics, No:
11] . Berkeley: University of California Press, 1990.
Freyer, Grattan. W. B. Yeats and the
Anti-Democratic Tradition. Dublin:
Gill and Macmillan, 1981.
Friedman, Barton R. Adventures in the
Deeps of the Mind: The Cuchulain Cycle of W. B. Yeats. Princeton, NJ: Princeton University Press, 1977.
Garab, Arra M. Beyond Byzantium: The Last
Phase of Yeats's Career. DeKalb:
Northern Illinois University Press, 1969.
Gardner, Joann. Yeats and the Rhymers'
Club: A Nineties' Perspective.
[American University Studies IV: English Language and Literature, No: 47] . New
York: Peter Lang, 1989.
Gibbon, Monk. The Masterpiece and the Man:
Yeats as I Knew Him. London:
Hart-Davis, 1959.
Gill, Richard. Happy Rural Seat: The
English Country House and the Literary Imagination. New Haven: Yale University Press, 1972.
Gogarty, Oliver St John. William Butler
Yeats: A Memoir. Dublin: Dolmen
Press, 1963.
Good, Maeve. W. B. Yeats and the Creation
of a Tragic Universe. Basingstoke,
England: Macmillan, 1987.
Green, Martin. Yeats's Blessings on von
Hugel: Essays on Literature and Religion.
London: Longmans, 1967.
Grossman, Allen R. Poetic Knowledge in the
Early Yeats: A Study of The Wind Among the Reeds. Charlottesville: University Press of Virginia, 1969.
Harper, George Mills. `Go Back to Where
You Belong': Yeats's Return from Exile.
Dublin: Dolmen Press, 1973.
Harper, George Mills. Yeats's Golden Dawn. New York: Barnes and Noble, 1974.
Harper, George Mills. The Mingling of
Heaven and Earth: Yeats's Theory of Theatre. Dublin: Dolmen Press, 1975.
Harper, George Mills. W. B. Yeats and W.
T. Horton: The Record of an Occult Friendship. Atlantic Highlands, NJ: Humanities Press, 1980.
Harper, George Mills. The Making of
Yeats's A Vision: A Study of the Automatic Script. 2 vol. Carbondale: Southern Illinois University
Press, 1987.
Harper, George Mills, ed. Yeats's Vision
Papers. Iowa City: University of Iowa
Press, 1992.
Harris, Daniel A. Yeats: Coole Park and
Ballylee. Baltimore: Johns Hopkins
University Press, 1974.
Hassett, Joseph M. Yeats and the Poetics
of Hate. Dublin: Gill and Macmillan,
1986.
Haswell, Janis Tedesco. Pressed against
Divinity: W. B. Yeats's Feminine Masks.
Dekalb, IL: Northern Illinois University Press, 1997.
Henn, T. R. The Lonely Tower: Studies in
the Poetry of W. B. Yeats. New York:
Barnes and Noble, 1965.
Henn, T. R. W. B. Yeats and the Poetry of
War. London: Oxford University Press,
1967.
Hoare, Dorothy. The Works of Morris and of
Yeats in Relation to Early Saga Literature. Cambridge, England: The University Press, 1937.
Holdeman, David. Much Laboring: The Texts
and Authors of Yeats's First Modernist Books. Ann Arbor: University of Michigan Press, 1997.
Hone, Joseph M. W. B. Yeats, 1865-1939. New York: St. Martin's Press, 1962.
Hough, Graham. The Mystery Religion of W.
B. Yeats. Brighton, Sussex: Harvester
Press, 1984.
Howes, Marjorie. Yeats's Nations: Gender,
Class, and Irishness. Cambridge:
Cambridge University Press, 1996.
Jeffares, A. Norman. The Poetry of W. B.
Yeats. London: E. Arnold, 1961.
Jeffares, A. Norman. W. B. Yeats, Man and
Poet. London: Routledge and Kegan
Paul, 1962.
Jeffares, A. Norman. A Commentary on the
Collected Poems of W. B. Yeats.
Stanford: Stanford University Press, 1968.
Jeffares, A. Norman. The Circus Animals:
Essays on W. B. Yeats. Stanford:
Stanford University Press, 1970.
Jeffares, A. Norman. W. B. Yeats. New York: Humanities Press, 1971.
Jeffares, A. Norman. A New Commentary on
the Poems of W. B. Yeats. Stanford:
Stanford University Press, 1984.
Jeffares, A. Norman. W. B. Yeats: A New
Biography. New York: Farrar, Straus,
Giroux, 1989.
Jeffares, A. Norman, and A. S. Knowland. A
Commentary on the Collected Plays of W. B. Yeats. Stanford: Stanford University Press, 1975.
Jennings, Elizabeth. Reaching into
Silence: A Study of Eight Twentieth-Century Visionaries. New York: Barnes and Noble, 1974.
Jochum, K. P. S. W. B. Yeats: A Classified
Bibliography of Criticism. Urbana:
University of Illinois Press, 1990.
Jochum, K. P. S., and Allan Wade. W. B.
Yeats: A Classified Bibliography of Criticism, Including Additions to Allan
Wade's Bibliography of the Writings of W. B. Yeats and a Section of the Irish
Literary and Dramatic Revival.
Urbana: University of Illinois Press, 1978.
John, Brian. Supreme Fictions: Studies in
the Work of William Blake, Thomas Carlyle, W. B. Yeats, and D. H. Lawrence. Montreal: McGill-Queen's University Press, 1974.
Johnson, Anthony L. The Verbal Art of W.
B. Yeats. Pisa: ETS, 1994.
Jones, James. Adam's Dream: Mythic Consciousness
in Keats and Yeats. Athens:
University of Georgia Press, 1975.
Kabir, Humayun. Poetry, Monads, and
Society. Calcutta: University of
Calcutta, 1941.
Kain, Richard M. Dublin: In the Age of
William Butler Yeats and James Joyce.
Norman: University of Oklahoma Press, 1990.
Kalim, M. Siddiq. The Soul's Habitation:
Yeats's Approach to Shelley.
Islamabad: National Book Foundation, 1988.
Kaplan, Stuart R. The Encyclopedia of
Tarot. New York: U.S. Games Systems,
1978.
Keane, Patrick J. Terrible Beauty: Yeats,
Joyce, Ireland, and the Myth of the Devouring Female. Columbia: University of Missouri Press, 1988.
Kermode, Frank. Romantic Image. London: Routledge and Kegan Paul, 1961.
Kirby, Sheelah, ed. The Yeats Country: A
Guide to Places in the West of Ireland Associated with the Life and Writings of
William Butler Yeats. Dublin: Dolmen
Press, 1962.
Kline, Gloria C. The Last Courtly Lover:
Yeats and the Idea of Woman. Ann
Arbor: UMI Research Press, 1983.
Knowland, A. S. W. B. Yeats, Dramatist of
Vision. Gerrards Cross, England:
Colin Smythe, 1983.
Koch, Vivienne. W. B. Yeats, the Tragic
Phase: A Study of the Last Poems.
Baltimore: Johns Hopkins Press, 1951.
Komesu, Okifumi. The Double Perspective of
Yeats's Aesthetic. Gerrards Cross,
England: Colin Smythe, 1984.
Krans, Horatio. William Butler Yeats and
the Irish Literary Revival. New York:
Haskell House, 1966.
Kremen, Kathryn R. The Imagination of the
Resurrection: The Poetic Continuity of a Religious Motif in Donne, Blake, and
Yeats. Lewisburg, PA: Bucknell
University Press, 1972.
Krimm, Bernard G. W. B. Yeats and the
Emergence of the Irish Free State 1918-1939: Living in the Explosion. Troy, NY: Whitston Pub. Co, 1981.
Kuch, Peter. Yeats and A.E.: The
Antagonism That Unites Dear Friends.
Gerrards Cross, England: Colin Smythe, 1986.
Larrissy, Edward. W. B. Yeats. Writers and Their Work . Plymouth, England:
Northcote House, with the British Council, 1998.
Leeming, Glenda. Poetic Drama. New York: St. Martin's Press, 1988.
LeMieux, David. The Ancient Tarot and Its
Symbolism. London: Cornwall Books,
1985.
Lentricchia, Frank. The Gaiety of
Language: An Essay on the Radical Poetics of W. B. Yeats and Wallace Stevens. Berkeley: University of California Press, 1968.
Levine, Bernard. The Dissolving Image: The
Spiritual-Esthetic Development of W. B. Yeats. Detroit: Wayne State University Press, 1970.
Levine, Herbert J. Yeats's Daimonic
Renewal. Ann Arbor: UMI Research
Press, 1983.
Liebregts, P. Centaurs in the Twilight: W.
B. Yeat's Use of the Classical Tradition.
Amsterdam: Rodopi, 1993.
Longenbach, James. Stone Cottage: Pound,
Yeats, and Modernism. New York:
Oxford University Press, 1988.
Lucas, F. L. The Drama of Chekhov, Synge,
Yeats, and Pirandello. London:
Cassell, 1963.
Lynch, David. Yeats: The Poetics of the
Self. Chicago: University of Chicago
Press, 1979.
MacLiammoir, Michael, and Eavan Boland. W.
B. Yeats. New York: Thames and
Hudson, Inc., 1971.
MacNeice, Louis. The Poetry of W. B. Yeats. London: Faber, 1967.
Macrae, Alasdair. W. B. Yeats: A Literary
Life. New York: St. Martin's, 1995.
Maddox, Brenda. Yeats’Äôs Ghosts: The Secret
Life of W. B. Yeats. New York:
HarperCollins, 1999.
Malins, Edward. A Preface to Yeats. New York: Scribner, 1974.
Malins, Edward. A Preface to Yeats. 2nd ed., with Revisions and Addition Material by
John Purkis. New York: Longman, 1994.
Marcus, Phillip L. Yeats and the Beginning
of the Irish Renaissance. Ithaca:
Cornell University Press, 1970.
Marcus, Phillip L., ed. The Death of
Cuchulain: Manuscript Materials Including the Author's Final Text. Ithaca: Cornell University Press, 1982.
Masefield, John. Some Memories of W. B.
Yeats. New York: Macmillan, 1940.
Mays, J. C. C., and Stephen Parrish, eds. New
Poems: Manuscript Materials by W. B. Yeats. Cornell Yeats. Ithaca, NY: Cornell University Press, 2000.
McDiarmid, Lucy. Saving Civilization:
Yeats, Eliot, and Auden Between the Wars.
Cambridge, England: Cambridge University Press, 1984.
McHugh, Roger. Ah, Sweet Dancer: W. B.
Yeats and Margot Ruddock, A Correspondence. London: Macmillan, 1970.
Meir, Colin. The Ballads and Songs of W.
B. Yeats: The Anglo-Irish Heritage in Subject and Style. New York: Barnes and Noble Books, 1974.
Melchiori, Giorgio. The Whole Mystery of
Art. London: Routledge and Kegan
Paul, 1960.
Menon, V. K. The Development of William
Butler Yeats. Rev. ed. Edinburgh:
Oliver and Boyd, 1960.
Miller, Liam. The Noble Drama of W. B.
Yeats. Dublin: Dolmen Press, 1977.
Moore, John. Masks of Love and Death:
Yeats as Dramatist. Ithaca: Cornell
University Press, 1971.
Moore, Virginia. The Unicorn: William
Butler Yeats' Search for Reality. New
York: Macmillan, 1954.
Murphy, Frank. Yeats's Early Poetry: The
Quest for Reconciliation. Baton
Rouge: Louisiana State University Press, 1975.
Myers, Stephen W. Yeats's Book of the
Nineties: Poetry, Politics, and Rhetoric.
[American University Studies IV: English Language and Literature, No: 161] .
New York: Peter Lang, 1993.
Myles, Ashley E. Theatre of Aristocracy: A
Study of W. B. Yeats as a Dramatist.
[Poetic Drama and Poetic Theory, #52] . Salzburg: Inst. fur Anglistik und
Amerikanistik, University of Salzburg, 1981.
Nathan, Leonard. The Tragic Drama of
William Butler Yeats: Figures in a Dance.
New York: Columbia University Press, 1965.
National Gallery of Ireland. W. B. Yeats:
A Centenary Exhibition. Dublin:
National Gallery of Ireland, 1965.
Nelson, James G. Elkin Mathews: Publisher
to Yeats, Joyce, Pound. Madison:
University of Wisconsin Press, 1989.
North, Michael. The Final Sculpture:
Public Monuments and Modern Poets.
Ithaca: Cornell University Press, 1985.
North, Michael. The Political Aesthetic of
Yeats, Eliot, and Pound. Cambridge:
Cambridge University Press, 1991.
O'Brien, Conor Cruise. Passion and
Cunning: Essays on Nationalism, Terrorism, and Revolution. New York: Simon and Schuster, 1988.
O'Donnell, William H. A Guide to the Prose
Fiction of W. B. Yeats. Ann Arbor:
UMI Research Press, 1983.
O'Driscoll, Robert. Symbolism and Some
Implications of the Symbolic Approach: W. B. Yeats during the Eighteen-Nineties. Dublin: Dolmen Press, 1975.
O'Hara, Daniel T. Tragic Knowledge:
Yeats's Autobiography and Hermeneutics.
New York: Columbia University Press, 1981.
Olney, James. The Rhizome and the Flower:
The Perennial Philosophy--Yeats and Jung.
Berkeley: University of California Press, 1980.
O'Shea, Edward. Yeats as Editor. Dublin: Dolmen Press, 1975.
O'Shea, Edward. A Descriptive Catalog of
W. B. Yeats' Library. New York:
Garland Publishing Co, 1985.
Oshima, Shotaro. W. B. Yeats and Japan. Tokyo: Hokuseido Press, 1965.
Parkin, Andrew. The Dramatic Imagination
of W. B. Yeats. Dublin: Gill and
Macmillan, 1978.
Parkinson, Thomas F. W. B. Yeats,
Self-Critic: A Study of His Early Verse [and] W. B. Yeats: The Later Poetry. Berkeley: University of California Press, 1971.
Parrish, Stephen, and James Painter. A
Concordance to the Poems of W. B. Yeats.
Ithaca: Cornell University Press, 1963.
Partridge, A. C. The Language of Modern
Poetry: Yeats, Eliot, Auden. London:
Deutsch, 1976.
Peterson, Richard F. William Butler Yeats. Boston: Twayne Publishers, 1982.
Pierce, David. Yeats's Worlds: Ireland,
England and the Poetic Imagination.
New Haven: Yale University Press, 1995.
Ponce, Charles. Kabbalah: An Introduction
and Illumination for the World Today.
New York: Theosophical Publishing House, 1980.
Pritchard, William H. Lives of the Modern
Poets. New York: Oxford University
Press, 1980.
Purdy, Dwight H. Biblical Echo and
Allusion in the Poetry of W. B. Yeats: Poetics and the Art of God. Lewisburg, PA: Bucknell University Press, 1994.
Putzel, Steven D. Reconstructing Yeats:
The Secret Rose and The Wind Among the Reeds. Dublin: Gill and Macmillan, 1986.
Pyle, Hilary. Yeats: Portrait of an
Artistic Family. London: Merrell
Holberton, 1997.
Qamber, Akhtar. Yeats and the Noh, with
Two Plays for Dancers by Yeats and Two Noh Plays. New York: Weatherhill, 1974.
Quinn, John. The Letters of John Quinn to
William Butler Yeats. Ed. Alan Himber
and George Mills Harper. Ann Arbor: UMI Research Press, 1983.
Rai, Rama Nand. W. B. Yeats: Poetic Theory
and Practice. [Poetic Drama and
Poetic Theory, #54] . Salzburg: Inst. fur Anglistik und Amerikanistik,
University of Salzburg, 1983.
Raine, Kathleen. Yeats, the Tarot, and the
Golden Dawn. Dublin: Dolmen Press,
1972.
Raine, Kathleen. Death-in-Life and
Life-in-Death: Cuchulain Comforted and News for the Delphic Oracle. Dublin: Dolmen Press, 1974.
Raine, Kathleen. From Blake to A Vision. Dublin: Dolmen Press, 1979.
Raine, Kathleen. Yeats the Initiate: Essays
on Certain Themes on the Works of W. B. Yeats. London: Allen and Unwin, 1986.
Rajan, Balachandra. W. B. Yeats: A
Critical Introduction. London:
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Warren Wedin <warren.wedin@csun.edu>
William Butler Yeats Seminar Homepage
Department of English
California State University, Northridge
June 19, 2002