Critical Articles on Portrait

Alviar, Lourdes S. "The Stream-of-Consciousness Technique in James Joyce, Portrait of the Artist as a Young Man." Saint Louis University Research Journal of the Graduate School of Arts and Sciences 15.1 (1984): 46-54.

Aschkenasy, Nehama. "Biblical Females in a Joycean Episode: The 'Strange Woman' Scene in James Joyce's A Portrait of the Artist as a Young Man." Modern Language Studies 15.4 (1985): 28-39.

Bair, Dierdre. "A Portrait of the Artist as a Young Man." James Joyce: The Artist and the Labyrinth. Ed. Augustine Martin. London: Ryan, 1990. 83-99.

Bakhtin, Mikhail M. "Discourse in the Novel." The Dialogic Imagination: Four Essays by M. M. Bakhtin. Ed. Michael Holquist. Trans. Carl Emerson and Michael Holquist. Austin: University of Texas Press, 1981. 259-422.

Bariou, Michel. "Le Vent paraclet: Quelques aspects de l'inspiration dans Le Portrait." Cahiers du Centre d'Etudes Irlandaises 7 (1982): 9-20.

Beebe, Maurice. "The Portrait as Portrait: Joyce and Impressionism." Irish Renaissance Annual 1.1 (1980): 13-31.

Benstock, Bernard. "The Temptation of St. Stephen: A View of the Villanelle." James Joyce Quarterly 14 (1976): 31-38.

Billy, Ted. "Optics and Irony: Hoffmann's 'Sand-Man' and Joyce's Portrait." Irish Renaissance Annual 4 (1983): 110-117.

Booth, Wayne. "The Problem of Distance in A Portrait." The Rhetoric of Fiction. Ed. Wayne Booth. Chicago: University of Chicago Press, 1961. 232-36.

Bowen, Zach. "Epiphanies, Stephen's Diary, and the Narrative Perspective of A Portrait of the Artist as a Young Man." James Joyce Quarterly 16 (1979): 485-488.

Bowers, Rick. "Stephen's Practical Artistic Development." James Joyce Quarterly 21.3 (1984): 231-243.

Bramsback, Birgit. "James Joyce and the Divided Irish Cultural Heritage: Glimpses from Dubliners and A Portrait of the Artist as a Young Man." Homage to Ireland: Aspects of Culture, Literature and Language. Ed. Birgit Bramsback. Uppsala: University of Uppsala Press, 1990. 21-30.

Brenner, Rachel Feldhay. "A. M. Klein's The Rocking Chair: Toward the Redefinition of the Poet's Function." Studies in Canadian Literature 15.1 (1990): 94-116.

Brivic, Sheldon. "The Disjunctive Structure of Joyce's Portrait." A Portrait of the Artist as a Young Man. Ed. R. B. Kershner. New York: St. Martin's Press, 1993. 251-267.

Brown, Richard. "The Purloined Letter." James Joyce Broadsheet 17 (1985): 4.

Burgess, Anthony. "Martyr and Maze-Maker." James Joyce's A Portrait of the Artist as a Young Man. Ed. Harold Bloom. New York: Chelsea House Publishers, 1988.

Burns, Thomas Laborie. "Stream of Consciousness, Joycean Technique." Estudos Anglo Americanos 12-13 (1988): 150-160.

Carens, James. "The Motif of Hands in A Portrait of the Artist as a Young Man." Irish Renaissance Annual 2 (1981): 139-157.

Centola, Steven R. "'The White Peace of the Altar': White Imagery in James Joyce's A Portrait of the Artist as a Young Man." South Atlantic Review 50.4 (1985): 93-106.

Cervo, Nathan. "'Seeing' as Being: The Blind Apotheosis of Stephen Dedalus." Northern New England Review 10 (1983): 52-65.

Cervo, Nathan. "Joyce's A Portrait of the Artist As a Young Man." Explicator 49.2 (1991): 114-16.

Chi, Ch iu lang. "Esthetics of Mystical Understanding: Joyce, Hopkins, and Tsung-ping." Tamkang Review: A Quarterly of Comparative Studies between Chinese and Foreign Literatures 20.1 (1989): 89-109.

Church, Margaret. "The Adolescent Point of View toward Women in Joyce's A Portrait of the Artist as a Young Man." Irish Renaissance Annual 2 (1981): 158-165.

Cixous, Hélène. "Reaching the Point of Wheat, or a Portrait of the Artist as a Maturing Woman." New Literary History: A Journal of Theory and Interpretation 19.1 (1987): 1-21.

Coleman, Elliot. "A Note on Joyce and Jung." James Joyce Quarterly 1 (1963): 11-16.

Collinson, Diane. "The Aesthetic Theory of Stephen Dedalus." British Journal of Aesthetics 23.1 (1983): 61-73.

Connolly, Thomas E. "Kinesis and Stasis: Structural Rhythm in Joyce's Portrait." Irish Renaissance Annual 2 (1981): 166-184.

Costa, Alan Magalhaes. "A Portrait of the Artist as a Young Man: A Study on Immortality." Estudos Anglo Americanos 8 (1983): 131-138.

Cowart, David. "Faulkner and Joyce in Morrison's Song of Solomon." American Literature: A Journal of Literary History, Criticism, and Bibliography 62.1 (1990): 87-100.

Crooks, Robert. "Triptych Vision: Voyeurism and Screen Memories in Joyce's Portrait." Modern Fiction Studies 38 (1992): 377-401.

Davenport, Gary. "Joyce's Self-Consciousness." The Southern Review 27.4 (1991): 756-70.

Day, Robert Adams. "The Villanelle Perplex: Reading Joyce." James Joyce Quarterly 25.1 (1987): 69-85.

Di Giuseppe, Rita. "James Joyce's Portrait: A Case of Applied Mythology." Quaderni di Lingue e Letterature 2 (1977): 59-67.

Di Giuseppe, Rita. "The Mythos of Irony and Satire in Joyce's Portrait." Quaderni di Lingue e Letterature 6 (1981): 33-48.

Dipasquale, Theresa M. "Seraphic Seduction in Portrait of the Artist and Ulysses." Studies in the Novel 19.4 (1987): 475-485.

Doherty, Gerald. "Joyce and Hell Opened to Christians: The Edition He Used for His 'Hell Sermons'." Modern Philology 61.2 (1963): 109-19.

Doherty, Gerald. "From Encounter to Creation: The Genesis of Metaphor in A Portrait of the Artist as a Young Man." Style 21.2 (1987): 219-236.

Dorsey, Peter. "From Hero to Portrait: The De-Christification of Stephen Dedalus." James Joyce Quarterly 26.4 (1989): 505-513.

Druff, James H. "The Romantic Complaint: The Logical Movement of Stephen's Aesthetics in A Portrait of the Artist as a Young Man." Studies in the Novel 14.2 (1982): 180-188.

Eastman, Kitti Carriker. "Joyce's A Portrait of the Artist as a Young Man." Explicator 42.4 (1984): 29-30.

Elbarbary, Samir. "The Image of the Goat in Portrait of the Artist as a Young Man." College Literature 16.3 (1989): 261-273.

Ellmann, Richard. "A Portrait of the Artist as Friend." James Joyce's A Portrait of the Artist as a Young Man. Ed. Harold Bloom. New York: Chelsea House Publishers, 1988. 31-42.

Empric, Julienne H. "The Mediation of the Woman and the Interpretation of the Artist in Joyce's Portrait." James Joyce and His Contemporaries. Ed. Diana A. Ben-Merre and Maureen Murphy. Westport, CT: Greenwood, 1989. 11-16.

Feshbach, Sidney. "A Slow and Dark Birth: A Study of the Organization of A Portrait of the Artist as a Young Man." James Joyce Quarterly 1.3 (1967): 289-300.

Fiddian, Robin William. "James Joyce and Spanish-American Fiction: A Study of the Origins and Transmission of Literary Influence." Bulletin of Hispanic Studies 66.1 (1989): 23-39.

Finney, Brian. "Suture in Literary Analysis." Lit: Literature Interpretation Theory 2.2 (1990): 131-144.

Flanagan, Richard. "Joyce's Politics and Mine." San Jose Studies 14.1 (1988): 41-48.

Ford, Charles. "Dante's Other Brush: Ulysses and the Irish Revolution." James Joyce Quarterly 29.4 (1992): 751-761.

Fortuna, Diana. "The Labyrinth as Controlling Image in Joyce's Portrait." New York Public Library Bulletin 76 (1972): 120-80.

Gabler, Hans Walter. "Towards a Critical Text of James Joyce's A Portrait of the Artist as a Young Man." Studies in Bibliography 27 (1974): 1-53.

Gillett, Peter J. "James Joyce's Infernal Clock." Modern Fiction Studies 34.2 (1988): 203-206.

Gilliam, D. M. E., and R. W. McConchie. "Joyce's A Portrait of the Artist as a Young Man." Explicator 44.3 (1986): 43-46.

Giobbi, Giuliana. "Pavese and Joyce: Exile, Myth and the Past." Journal of European Studies 21.1 (1991): 43-53.

Godin, Jean Guy. "Sur le Sinthome." James Joyce: The Augmented Ninth. Ed. Bernard Benstock. Syracuse: Syracuse University Press, 1988. 210-214.

Gordan, Caroline. "Some Readings and Misreadings." Joyce's Portrait: Criticisms and Critiques. Ed. Thomas E. Connolly. New York: Meredith Publishing Co., 1962.

Gose, Elliott B. "Destruction and Creation in A Portrait of the Artist as a Young Man." James Joyce Quarterly 22.3 (1985): 259-270.

Grayson, Janet. "'Do You Kiss Your Mother?' Stephen Dedalus' Sovereignty of Ireland." James Joyce Quarterly 19.2 (1982): 119-126.

Greene, Gayle. "Margaret Laurence's The Diviners: The Uses of the Past." Critical Approaches to the Fiction of Margaret Laurence. Ed. Colin Nicholson. Vancouver: University of British Columbia Press, 1990. 177-207.

Gutierrez, Donald. "James Joyce's Portrait as Maze: A Critique." North American Mentor Magazine 24.3 (1986): 30-34.

Habermann, Angela. "The Joycean Faun." International Fiction Review 10.1 (1983): 44-47.

Hannay, John. "Confessions of Love in Joyce's Portrait." University of Dayton Review 17.3 (1985): 77-82.

Harkness, Marguerite. "The Separate Roles of Language and Word in James Joyce's Portrait." Irish Renaissance Annual 4 (1983): 94-109.

Harris, Margaret. "Authors and Authority in Lives of Girls and Women." Sydney Studies in English 12 (1986): 101-113.

Hayman, David. "Daedalian Imagery in A Portrait of the Artist as a Young Man." Hereditas: Seven Essays on the Modern Experience of the Classical. Ed. Frederic Will. Austin: University of Texas Press, 1964.

Hayman, David. "James Joyce, Paratactician." Contemporary Literature 26.2 (1985): 155-178.

Hayman, David. "The Joycean Inset." James Joyce Quarterly 23.2 (1986): 137-155.

Heaney, Liam F. "Freud, Jung and Joyce: Conscious Connections." Contemporary Review 265 (1994): 28-31.

Henke, Suzette. "Through a Cracked Looking-Glass: Sex-Role Stereotypes in Dubliners." International Perspectives on James Joyce. Ed. Gottleib Gaiser. Troy, N.Y.: Whitston Publishing Co., 1986. 2-31.

Henke, Suzette. "Stephen Dedalus and Women: A Portrait of the Artist as a Young Misogynist." James Joyce's A Portrait of the Artist as a Young Man. Ed. Harold Bloom. New York: Chelsea House Publishers, 1988. 55-75.

Herndl, Carl G. "The Epiphany in A Portrait of the Artist as a Romantic Moment." University of Dayton Review 17.3 (1985): 69-75.

Herr, Cheryl. "The Sermon as a Massproduct: 'Grace' and A Portrait." James Joyce: A Collection of Critical Essays. Ed. Mary T. Reynolds. Englewood Cliffs: Prentice Hall, 1993. 81-95.

Herzberger, David, and M. Carmen Rodriguez-Margenot. "Luis Goytisolo's Antagonia: A Portrait of the Artist as a Young Man." Revista Canadiense de Estudios Hispanicos 13.1 (1988): 79-92.

Heusel, Barbara Stevens. "The Problems of Figure and Ground in A Portrait of the Artist as a Young Man." The Centennial Review 26.2 (1982): 180-198.

Jauss, David. "Indirect Interior Monologue and Subjective Narration in A Portrait of the Artist as a Young Man." Par Rapport: A Journal of the Humanities 4 (1980): 45-52.

Kearney, Colbert. "Stephen's Green - The Image of Ireland in Joyce's Portrait." James Joyce: The Artist and the Labyrinth. Ed. Augustine Martin. London: Ryan, 1990. 101-20.

Kenneally, Michael. "Joyce, O'Casey and the Genre of Autobiography." O'Casey Annual 3 (1984): 124-133.

Kenneally, Michael. "Joyce, O'Casey, and the Genre of Autobiography." James Joyce and His Contemporaries. Ed. Diana A. Ben-Merre and Maureen Murphy. Westport, CT: Greenwood, 1989. 105-110.

Kenner, Hugh. "The Portrait in Perspective." Joyce's Portrait: Criticisms and Critiques. Ed. Thomas E. Connolly. New York: Meredith Publishing Co., 1962.

Kenner, Hugh. "Joyce's Portrait: A Reconsideration." University of Windsor Review 1 (1965): 1-15.

Kenner, Hugh. "Modernism and What Happened to It." Essays in Criticism: A Quarterly Journal of Literary Criticism 37.2 (1987): 97-109.

Kershner, R. B. "The Artist as Text: Dialogism and Incremental Repetition in Joyce's Portrait." English Literary History 53.4 (1986): 881-894.

Kershner, R. B. "Joyce and Dujardin's 'L'Initiation au peche et a l'amour': An Unacknowledged Debt." James Joyce Quarterly 26.2 (1989): 213-225.

Kidd, John. "Joyce, Rabelais, and Plutarch: The Deaths of Parnell and Pan." James Joyce Quarterly 21.3 (1984): 279-281.

Kittay, Jeffrey. "On Notation." Language & Communication: An Interdisciplinary Journal 10.2 (1990): 149-165.

Kremer, S. Lillian. "Dedalus in Brooklyn: Influences of A Portrait of the Artist as a Young Man on My Name Is Asher Lev." Studies in American Jewish Literature 4 (1985): 26-38.

Kuder, Stephen R. "James Joyce and Ignatius of Loyola: The Spiritual Exercises in A Portrait of the Artist." Christianity and Literature 31.2 (1982): 48-57.

Lampkin, Loretta. "Tristram Shandy and A Portrait of the Artist: The Gestation of Identical Twins." James Joyce Quarterly 21.2 (1984): 137-144.

Lanham, Jon. "The Genre of A Portrait of the Artist as a Young Man and the Rhythm of Its Structure." Genre 10 (1977): 77-102.

Lateiner, Donald. "The Epigraph to Joyce's Portrait." Classical and Modern Literature: A Quarterly 4.2 (1984): 77-84.

Levenson, Michael. "Stephen's Diary in Joyce's Portrait - The Shape of Life." English Literary History 52.4 (1985): 1017-1035.

Lilienfeld, Jane. "Flesh and Blood and Love and Words: Lily Briscoe, Stephen Dedalus, and the Aesthetics of Emotional Quest." New Alliances in Joyce Studies: "When it's aped to foul a Delfian". Ed. Bonnie Kime Scott. Newark: University of Delaware Press, 1988. 165-178.

Lindholdt, Paul J. "Isaac McCaslin and the Burden of Influence." University of Mississippi Studies in English 5 (1984): 172-181.

Loss, Archie K. "All Thy Waves Are Gone over Me: Horton's Images and Joyce's Dedalus." James Joyce Quarterly 20.1 (1982): 125-128.

Loucks, James F. "'What an Awful Power, Stephen!': Simony and Joyce's Medieval Sources in A Portrait." Papers on Language and Literature 28.2 (1992): 133-149.

Lowe, Evans Mary. "Joyce's Portrait of the Artist as a Young Man." Explicator 48.4 (1990): 275-277.

Lowe, Evans Mary. "Sex and Confession in the Joyce Canon: Some Historical Parallels." Journal of Modern Literature 16.4 (1990): 563-76.

MacArthur, Ian. "Stephen's Sexual Aesthetics." James Joyce Quarterly 25.2 (1988): 268-269.

Maclennan, Don. "Metastasis: Or Dumas, Joyce and the Dark Avenger." English Studies in Africa: A Journal of the Humanities 31.2 (1988): 119-127.

Manganiello, Dominic. "Joyce's 'Third Gospel': The Earthbound Vision of A Portrait of the Artist." Renascence: Essays on Value in Literature 35.4 (1983): 219-234.

Manganiello, Dominic. "Through a Cracked Looking Glass: The Picture of Dorian Gray and A Portrait of the Artist as a Young Man." James Joyce and His Contemporaries. Ed. Diana A. Ben-Merre and Maureen Murphy. Westport, CT: Greenwood, 1989. 89-96.

Martin, Timothy P. "Joyce, Wagner and the Artist-Hero." Journal of Modern Literature 11.1 (1984): 66-88.

McCarthy, Patrick A. "Science Fiction as Creative Revisionism: The Example of Alfred Bester's The Stars My Desination." Science Fiction Studies 1.29 (1983): 58-69.

McDonald, Michael Bruce. "The Strength and Sorrow of Young Stephen: Toward a Reading of the Dialectic of Harmony and Dissonance in Joyce's Portrait." Twentieth Century Literature: A Scholarly and Critical Journal 37.4 (1991): 361-89.

McGrath, F. C. "Laughing in His Sleeve: The Sources of Stephen's Aesthetics." James Joyce Quarterly 23.3 (1986): 259-275.

Mills, Jerry Leath. "Joyce's A Portrait of the Artist as a Young Man." Explicator 42.4 (1984): 30-32.

Mitchell, Breon. "A Portrait and the Bildungsroman Tradition." Approaches to Joyce's Portrait: Ten Essays. Ed. Thomas F. Staley and Bernard Benstock. Pittsburgh: University of Pittsburgh Press, 1976. 61-76.

Moore, Gene M. "The World of Words in Joyce's Portrait and Musil's Torless." Postscript 1 (1983): 54-59.

Morrisson, Mark. "Stephen Dedalus and the Ghost of the Mother." Modern Fiction Studies 39.2 (1993): 345-368.

Narremore, James. "Style as Meaning in A Portrait of the Artist." James Joyce Quarterly 4.4 (1967): 331-42.

Neville, Mary Kevin R. S. M., and Dorothy H. Roberts. "I Remember George Clancy." Journal of Irish Literature 15.1 (1986): 50-55.

O'Grady, Thomas B. "High Anxiety: Flann O'Brien's Portrait of the Artist." Studies in the Novel 21.2 (1989): 200-208.

O'Grady, Thomas B. "Conception, Gestation, and Reproduction: Stephen's Dream of Parnell." James Joyce Quarterly 27.2 (1990): 293-301.

Olofsson, Tommy, Johannes Hedberg, Thomas Townshend Somerville, Patricia Lowstedt, and Sandra Nyberg. "A Portrait of the Artist as a Flying Man." Moderna Sprak 76.1 (1982): 3-41.

O'Neill, William. "The Rout of the Suitors, the Making of an Artist: The Meaning of Parallel and Parody in Ulysses." Midwest Quarterly: A Journal of Contemporary Thought 27.4 (1986): 401-421.

O'Shea, Michael J. "'Raiders and Cinemen Too': Joyce on Video." James Joyce Literary Supplement 4.1 (1990): 21-23.

Overstreet, David. "Oxymoronic Language and Logic in Quantum Mechanics and James Joyce." Sub stance 28 (1980): 37-59.

Paterson, Gary H. "Stephen and Alice: Not So Strange Badfellows." Interpretations: A Journal of Ideas, Analysis, and Criticism 15.1 (1983): 60-69.

Poirier, Richard. "Pater, Joyce, Eliot." James Joyce Quarterly 26.1 (1988): 21-35.

Poplawski, Gary J. "Stasis and Paralysis: Stephen Dedalus and Gabriel Conroy." Ball State University Forum 27.3 (1986): 43-54.

Potts, Willard. "Stephen Dedalus and 'Irrland's Split Little Pea'." James Joyce Quarterly 27.3 (1990): 559-575.

Quinlan, Kieran. "Their Language, So Familiar and So Foreign: The English Tongue and Its Irish Voice." Postscript 2 (1985): 115-121.

Rabaté, Jean Michel. "A Portrait of the Artist as a Bogeyman." James Joyce: The Augmented Ninth. Ed. Bernard Benstock. Syracuse: Syracuse University Press, 1988. 103-134.

Radford, F. L. "Dedalus and the Bird Girl: Classical Text and Celtic Subtext in A Portrait." James Joyce Quarterly 24.3 (1987): 253-274.

Raizada, Harish. "Two Voices in A Portrait of the Artist as a Young Man." The Aligarh Journal of English Studies 7.2 (1982): 125-146.

Rea, Joanne. "A Few Observations on Plutarch and Rabelais in A Portrait." James Joyce Quarterly 23.3 (1986): 357-359.

Rea, Joanne. "Joyce's 'Beastly' Bitch Motif: Sadic Castration Threat and Separation Anxiety." Journal of Evolutionary Psychology 7.1-2 (1986): 28-33.

Rea, Joanne. "Joyce's Canine Imagery: Symbolic or Symptomatic?" Journal of Evolutionary Psychology 7.3-4 (1986): 298-305.

Redford, Grant H. "The Role of Structure in Joyce's Portrait." Joyce's Portrait: Criticisms and Critiques. Ed. Thomas E. Connolly. New York: Meredith Publishing Co., 1962. 102-123.

Reid, B. L. "Gnomon and Order in Joyce's Portrait." Sewanee Review 92.3 (1984): 397-420.

Restuccia, Frances L. "Molly in Furs: Deleuzean/Masochian Masochism in the Writing of James Joyce." Novel: A Forum on Fiction 18.2 (1985): 101-116.

Reynolds, Mary T. "Stephen's Villanelle and D'Annunzio's Sonnet Sequence." Journal of Modern Literature 5 (1976): 19-45.

Reynolds, Mary T. "Joyce and His Brothers: The Process of Fictional Transformation." James Joyce Quarterly 25.2 (1988): 217-225.

Rimmon, Kenan Shlomith. "Identity and Identification: Joyce's A Portrait of the Artist as a Young Man." Hebrew University Studies in Literature and the Arts 9.1 (1981): 107-125.

Riquelme, John Paul. "Pretexts for Reading and for Writing: Title, Epigraph, and Journal in A Portrait of the Artist as a Young Man." James Joyce Quarterly 18.3 (1981): 301-321.

Riquelme, John Paul. "The Preposterous Shape of Portraiture: A Portrait of the Artist as a Young Man." James Joyce's A Portrait of the Artist as a Young Man. Ed. Harold Bloom. New York: Chelsea House Publishers, 1988. 87-107.

Robinson, David W. "Stephen Dedalus' Physics Lesson." James Joyce Quarterly 24.3 (1987): 359-360.

Robinson, David W. "'What Kind of a Name Is That?': Joyce's Critique of Names and Naming in A Portrait." James Joyce Quarterly 27.2 (1990): 325-335.

Roche, Anthony. "'The strange light of some new world': Stephen's Vision in 'A Portrait'." James Joyce Quarterly 25.3 (1988): 323-332.

Rose, Ellen Cronan. "Dancing Daedalus: Another Source for Joyce's Portrait of the Artist." Modern Fiction Studies 28.4 (1982): 596-603.

Rose, Ellen Cronan. "Antonia White: Portrait of the Artist as a Dutiful Daughter." Lit: Literature Interpretation Theory 2.3 (1991): 239-48.

Rossman, Charles. "Stephen Dedalus and the Spiritual-Heroic Refrigerating Apparatus: Art and Life in Joyce's Portrait." Forms of Modern British Fiction. Ed. Alan W. Friedman. Austin: University of Texas Press, 1975.

Scholes, Robert. "Stephen Dedalus, Poet or Esthete?" PMLA 89 (1964): 484-89.

Schork, R. J. "Ayala's Joycean 'Portrait': A.M.D.G." Comparative Literature Studies 26.1 (1989): 50-70.

Schork, R. J. "Simplex Mendaciis: Horace in the Works of James Joyce." Classical and Modern Literature: A Quarterly 10.4 (1990): 335-342.

Schwarz, Daniel. "'Tell Us in Plain Words': An Introduction to Reading Joyce's Ulysses." Journal of Narrative Technique 17.1 (1987): 25-38.

Scott, Bonnie Kime. "Hanna and Francis Sheehy-Skeffington: Reformers in the Company of Joyce." James Joyce and His Contemporaries. Ed. Diana A. Ben-Merre and Maureen Murphy. Westport, CT: Greenwood, 1989. 77-85.

Sen, Bagchee Sumans. "Some Joycean Echoes in Wilson's Setting the World on Fire." Notes on Contemporary Literature 17.3 (1987): 9-11.

Senn, Fritz. "'A Portrait': Temporal Foreplay." Etudes Irlandaises: Revue Francaise d'Histoire, Civilisation et Litterature de l'Irelande 12.2 (1987): 65-73.

Senn, Fritz. "Anagnostic Probes." Dutch Quarterly Review of Anglo American Letters 18.2 (1988): 119-143.

Seward, Barbara. "The Artist and the Rose." Joyce's Portrait: Criticisms and Critiques. Ed. Thomas E. Connolly. New York: Meredith Publishing Co., 1962.

Sheehy-Skeffington, Andree D. "Historical Background to the Testimonial to the Tsar of Russia Referred to in Stephen Hero and A Portrait of the Artist." James Joyce Quarterly 20.1 (1982): 117-120.

Sheehy-Skeffington, Andree D. "Reflections on the Reality of One of Joyce's Early Friendships." James Joyce Quarterly 20.1 (1982): 109-116.

Singer, Thomas C. "Riddles, Silence, and Wonder: Joyce and Wittgenstein Encountering the Limits of Language." English Literary History 57.2 (1990): 459-84.

Sonnenfeld, Albert. "Desire and Fantasm in Joyce/Lacan." James Joyce: The Augmented Ninth. Ed. Bernard Benstock. Syracuse: Syracuse University Press, 1988. 184-185.

Spector, Judith. "On Defining a Sexual Aesthetic: A Portrait of the Artist as Sexual Antagonist." Midwest Quarterly: A Journal of Contemporary Thought 26.1 (1984): 81-94.

Steinberg, Erwin R. "The Bird-Girl in A Portrait as Synthesis: The Sacred Assimilated to the Profane." James Joyce Quarterly 17 (1980): 149-163.

Stratton, Dirk. "Figs: Cranly as Precursor." English Language Notes 24.3 (1987): 51-56.

Stuart, Malcolm. "Moore Exiles: Joycean Counterparts in Brian Moore's 'Uncle T'." Recherches Anglaises et Americaines 16 (1983): 131-142.

Survant, Joe. "Cosmic Time in A Portrait of the Artist as a Young Man and Ulysses." Kentucky Philological Review 13 (1986): 26-33.

Theoharis, Theoharis C. "Unveiling Joyce's Portrait: Stephen Dedalus and The Encyclopaedia Britannica." The Southern Review 20.2 (1984): 286-299.

Thomas, Calvin. "Stephen in Process/Stephen on Trial: The Anxiety of Production in Joyce's Portrait." Novel: A Forum on Fiction 23.3 (1990): 282-302.

Thrane, James R. "Joyce's Sermon on Hell: Its Sources and Backgrounds." Modern Philology 57 (1960): 172-98.

Tobin, Patricia. "A Portrait of the Artist as Autobiographer: Joyce's Stephen Hero." Genre 6 (1973): 189-203.

Toolan, Michael. "Analysing Conversation in Fiction: An Example from Joyce's Portrait." Language, Discourse, and Literature: An Introductory Reader in Discourse Stylistics. Ed. Ronald Carter and Paul Simpson. London: Unwin Hyman Ltd, 1989. 195-211.

True, Warren. "Potok and Joyce: The Artist and His Culture." Studies in American Jewish Literature 2 (1982): 181-190.

Valente, Joseph. "Thrilled by His Touch: Homosexual Panic and the Will to Artistry in A Portrait of the Artist as a Young Man." James Joyce Quarterly 31.1 (1994): 167-188.

Voelker, Joe. "'27 April'." James Joyce Quarterly 22.3 (1985): 325.

Waith, Eugene M. "The Calling of Stephen Dedalus." Joyce's Portrait: Criticisms and Critiques. Ed. Thomas E. Connolly. New York: Meredith Publishing Co., 1962.

Wall, Richard. "Fleming's Unfinished Inscription." James Joyce Quarterly 19.3 (1982): 348-349.

Walters, Mark. "The Personal Pronouns in the Opening Section of Portrait of the Artist and the Establishment." Word and Image: A Journal of Verbal Visual Enquiry 7.4 (1991): 311-13.

Weaver, Jack W. "Some Notes toward a Definition of Influence: George Moore's Hail and Farewell and James Joyce's Writings." English Literature in Transition 3 (1920): 130-136.

Weir, David. "Moore's Young Man." James Joyce Broadsheet 16 (1985): 4.

Weir, David. "A Womb of His Own: Joyce's Sexual Aesthetics." James Joyce Quarterly 31 (1994): 207-231.

Whittaker, Stephen. "The City, Mind, and God." Commonplaces: Essays on the Nature of Place. Ed. David W. Black, Donald Kunze and John Pickles. Lanham, MD: University Press of America, 1989. 119-134.

Wight, Doris T. "Stephen's Villanelle: From Passive to Active Creation." Colby Library Quarterly 22.4 (1986): 215-224.

Wight, Doris T. "Ironies Romantic and Naturalistic: James Joyce's Epiphanies and Nathalie Sarraute's Tropisms." The Rackham Journal of the Arts and Humanities (1987): 15-45.

Wilde, Dana. "A Note on Stephen's Shapeless Thoughts from Swedenborg in A Portrait of the Artist." Journal of Modern Literature 16.1 (1989): 179-181.

Williams, Trevor. "Dominant Ideologies: The Production of Stephen Dedalus." James Joyce: The Augmented Ninth. Ed. Bernard Benstock. Syracuse: Syracuse University Press, 1988. 312-322.

Wilson, Raymond J. "Paul Morel and Stephen Dedalus: Rebellion and Reconciliation." Platte Valley Review 11.1 (1983): 27-33.

Yee, Cordell D. K. "St. Thomas Aquinas as Figura of James Joyce: A Medieval View of Literary Influence." James Joyce Quarterly 22.1 (1984): 25-38.

Zehr, David Morgan. "Joyce's Bifocal Lens: Politics In Ireland." Midwest Quarterly: A Journal of Contemporary Thought 22.2 (1981): 147-162.