Calendar
Week 01
Your first 10,000 photographs are your worst.
Henri Cartier-Bresson
Monday
Class Intro
SHOW ME YOUR CAMERA & FILM
Show me your camera, so that I can make sure it will work for the class.
(35mm Film, Manual Exposure, Manual or Auto Focus, lens, working battery)
Show me at least 2 rolls of 36 exposure Arista 400, Kodak Tri-X 400, Ilford HP5+ or another 400 speed, black and white, negative film.
Due: Wednesday, 6 Sept
Upload your favorite image to the Canvas discussion.
Due: Monday, 31 January
Wednesday
Review Favorite Images
Camera Basics
Aperture, Shutter Speed and ISO
Week 02
Photography is a way of feeling, of touching, of loving. What you have caught on film is captured forever… It remembers little things, long after you have forgotten everything.
Aaron Siskind
Monday
No School: Labor Day
Wednesday
Camera Check Day!
Using Your Camera
Camera Manuals
Camera Metering Modes Explained
- Make sure you understand all of the following:
- Setting Exposure Mode to Manual
- Aperture & Shutter Speed controls
- Setting ISO (should be 400)
- Verify battery
- Focus options
- Exposure Meter Information - A guide
- Loading & Unloading Film - AE1 film loading example video
PROJECT 1: FIRST IMAGES
- Shoot 2 36 exposure rolls of Ilford HP5+, Tri-X 400 or Arista 400
- Shoot, on average, 4 images of 9 things/subjects (35 images) per roll
- Find different of ways to see each of your subjects
- Find at least 6 different subjects, try to vary the subject matter (not all cars, people, food, landscapes, etc.)
- Consider the compositional strategies below
- Good images are very important, but useable images are just as important
- Try to keep Shutter Speed shorter/faster than 1/60
- Make sure you understand how your camera's exposure meter and controls work before you start taking pictures!
- Balanced Subjects
- Fill the Frame (Cropping)
- Framing
- Leading Lines
- Negative Space
- Pattern & Repetition
- Rule of Thirds
- Subject to (Back)ground
- Symmetry
- Triangular Composition
- Viewpoint/Perspective
- Turn In:
- 2 Contact Sheets (1 per roll)
- 4 8x10 prints
- 2-3 sentences about why you chose each image
- A strong visual image
- A personally meaningful image
- An image that has an important message
- A rare moment
- Dates:
- Begin Shooting: Wednesday, 6 Sept
- Processing Demo: Monday, 11 Sept
- Proofing Demo: Wednesday, 13 Sept
- Printing Demo: Monday, 18 Sept
- Due: Wednesday, 2 October
Week 03
In photography there is a reality so subtle that it becomes more real than reality.
Alfred Stieglitz
Monday
The Origins of Photography
Videos:
IMAGE DISCUSSION 1: SURFACE
Create & upload a digital image that elicits a strong emotional response, that is shown in an esthetically pleasing way. Make a new image, don't recycle images for this discussion.
Example
- Due Dates:
- Upload Image: Friday, 16 Sept
- Comment on 2 other people's images: Sunday, 18 Sept
TED Talk: Ways of Seeing
Lab Orientation
Film Processing Demo
Film Processing Times
Wednesday
Proof/Contact Sheet Demo
Paper Processing Times
Contact/Proof Sheet Example
Ilford Contact Printing Guide
Week 04
What makes photography a strange invention is that its primary raw materials are time and light.
John Berger
Monday
Printing Demo
Wednesday
Lab Day - Process, Proof & Print
Week 05
To me, photography is an art of observation. It’s about finding something interesting in an ordinary place… I’ve found it has little to do with the things you see and everything to do with the way you see them.
Elliott Erwitt
Monday & Wednesday
Lab Day - Process, Proof & Print
Week 06
It’s more important for a photographer to have very good shoes, than to have a very good camera.
Sebastiao Salgado
Monday
Project 1 Critique
- Turn in, in an envelope:
- 4 clean, 8x10 prints
- 2 contact sheets, 1 per roll
- Short printed statement (what & why)
Wednesday
PROJECT 2: BLUR & FOCUS
Basics:
- 2+ rolls of film (36 exposure)
- Take pictures of all of the following:
- Landscape/Place/Nature/
- Thing/Designed/Manufactured/Built
- Person/Animal
Details:
Make sure each image strongly incorporates the requirement in a way that adds meaning/interest to the photo.
- #1 Shallow depth of field (f/4 or less) [Example]
- #2 Deep depth of field (f/11 or greater) [Example]
- #3 Very slow shutter speed (1/8 or longer)[Example]
- #4 Very fast shutter speed (1/1000 or shorter) [Example]
- #5 Night time (several seconds = use Bulb) [Example]
- #EC Panning with the subject at an average shutter speed (~1/30) - panning info [Example]
Turn in List:
- 2+ contact sheets
- 5+ Prints
- Short, descriptive text about each image
Schedule:
- Begin shooting: Wednesday, 4 October
- Quiz Review: Monday, 9 October
- Quiz: Wednesday, 11 October
- Show Contact sheets: Monday, 16 October
- Critique: Wednesday, 25 October
- Critique: Wednesday, 1 November
Week 07
Every artist has a central story to tell, and the difficulty, the impossible task, is trying to present that story in pictures.
Gregory Crewdson
Monday
Quiz Review
Kahoot Quiz Review
Lab Lecture - Advanced Printing
- Dodging:
- Make part of an image lighter by reducing light/exposure
- Do this during the main/initial exposure
- Burning:
- Make part of an image darker by increasing light/exposure
- Do this after the main/initial exposure
Ilford on Dodging and Burning
Wednesday
Complete Quiz on Canvas, before midnight, tonight.
Lab Day - Process, Proof & Print
Week 08
Sharpness is a bourgeois concept.
Henri Cartier-Bresson
Monday
Lab Day - Process, Proof & Print
IMAGE DISCUSSION 2: MEANING
Upload one of your images that has strong meaning for you, maybe more meaningful than beautiful, but it can be both.
- Due Dates:
- Upload Image: Wednesday, 18 Oct, before class
- Comment on 2 other people's images: Sunday, 22 Oct
Lab Day - Process, Proof & Print
Wednesday
Lab Day - Process, Proof & Print
Week 09
Photography deals exquisitely with appearances, but nothing is what it appears to be.
Duane Michals
Monday
Lab Day - Process, Proof & Print
Wednesday
PROJECT 3: PORTRAITS
Basic Requirements:
- 2+ rolls of film (36 exposure).
- At least 6 different people
- About 4-5 shots per situation/location
- About 8 (different) situation/locations per roll
Turn In Requirements:
- 5 images
- 3-5 different subjects (2 can repeat)
- 3-5 different Lighting Conditions (2 can repeat)
- At most, 1 non-humans, with discernible personality - Example
- 1-2 that has an obscured face (cropping, blur, focus, etc.)
- At least one conceptual/story portrait.
- At least one traditional/formal portrait.
- At least one (apparently) candid portrait.
Lighting Conditions:
- Just after sunrise or before sunset on a clear day (Outside, soft, directional light, long shadows)
- Midday on a clear day, no clouds (Outside, hard, directional light)
- Overcast (Outside, soft light, no shadows)
- Open shade (Outside, on a clear day, in complete shade)
- Mixed lighting, direct light vs shade, for subject and background (Backlighting is this, to an extreme) [Example]
- Window light (inside, natural, diffused light)
- Article: Natural Light Portraiture | Simple Portraits Using Window Light
- Article: How to Achieve Great Portraits with Window Light
- Nighttime (inside, artificial light, long exposure)
- Nighttime (outside, artificial light, long exposure)
Also turn in:
- 2+ Proof sheets (1 per roll)
- 2-3 sentences about each image, list the characteristics from above (lighting and concept) and the story you are trying to tell.
Due: Wednesday, 15 November
Portrait Videos:
Week 10
A portrait is not made in the camera but on either side of it.
Edward Steichen
Monday
Lab Day - Process, Proof & Print
Wednesday
Project 2 Critique
- Shallow Depth of Field
- Deep Depth of Field
- Very Long Exposure
- Very Short Exposure
- Night time
- 2 Contact Sheets (1 per roll) to Assignment
- Text (What, How & Why)
Week 11
It’s one thing to make a picture of what a person looks like, it’s another thing to make a portrait of who they are.
Paul Caponigro
Monday & Wednesday
Lab Days - Process, Proof & Print
Week 12
It is an illusion that photos are made with the camera… they are made with the eye, heart and head.
Henri Cartier-Bresson
Monday
Lab Day - Process, Proof & Print
Wednesday
PROJECT 4: THE FINAL
- Details:
- 2+ Proofsheets
- 8-12 Images
- Project Statement
- Self-Portrait Examples:
- Sofie Calle
- Veruschka von Lehndorff
- Vivian Maier
- Robert Mapplethorp
- Cathy Opie
- Cindy Sherman
- Collection Examples:
- Bernd & Hilla Becher
- Hans Eijkelboom
- Robert Mapplethorp
- Ed Ruscha
Schedule:
- Propose concepts, upload to Canvas: Monday, 20 November
- Progress Check In: Wednesday, 29 November
- Monday, 11 December
Week 13
A camera is a tool for learning how to see without a camera.
Dorothea Lange
Monday
Project 3 Critique
Final Project Concepts
- Check in with Final Project concepts.
- Post on Canvas after approval.
Wednesday
Modest Feast of Gratitude
Week 14
To me, photography is an art of observation. It’s about finding something interesting in an ordinary place… I’ve found it has little to do with the things you see and everything to do with the way you see them.
Elliott Erwitt
Monday
Lab Day - Process, Proof & Print
Wednesday
Lab Day - Process, Proof & Print
Show me progress. Be sure to check in with something substantial.
Week 15
Monday
Lab Day - Process, Proof & Print
Wednesday
Lab Day - Print
Week 16
Monday
Final Critique
Finals Week
Monday, 16 December, 8:00p-10:00p
Last chance to turn anything in.