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Michael Bryson

Michael  Bryson Professor
PhD (2001) Northwestern University
Office: Sierra Tower Room, 832
Phone: Telephone: (818) 677-3872
Email: michael.bryson@csun.edu
Web Site: http://www.michaelbryson.net

Office Hours

None submitted for this semester.


My most recent book project (Ashgate Press, 2012) is called The Atheist Milton. But in calling the bookThe Atheist Milton, and in arguing that Milton was an atheist then, and would be an atheist were he alive today, I am trying to make a fairly nuanced case, despite the deliberate provocation of the title. 

“Atheism” meant different things in Milton’s day than it does for us today. Essentially, the word has become narrower in scope for us, less flexible in its capacity to carry shades of meaning. “Atheist” tends to mean one thing today: someone who does not believe in God. In Milton’s time, the term “Atheist” was used in a much more wide-ranging way: it could refer to someone who did not believe that God existed, but more commonly it referred, not to unbelief, but to variations in belief that were regarded by the accuser (and the word is almost always an accusation rather than a self-chosen label) as straying from orthodox belief, what I refer to in the book (with all due irony) as correct belief as opposed to the incorrect belief of the “atheist.” 

My argument is two-fold: based on his association with Arian ideas (denial of the doctrine of the Trinity), his argument for the de Deo theory of creation (the idea that the universe is created, not from nothing or ex nihilo, but from the essence of God, which puts him in line with the materialism of Spinoza and Hobbes), and his Mortalist argument that the human soul dies with the human body, Milton was an Atheist by the commonly-used definitions of the period. And as the poet who takes a reader from the presence of an imperious, monarchical God in Paradise Lost, to the internal—almost Gnostic—conception of God inParadise Regained, to the absence of any God whatsoever in Samson Agonistes, Milton is the poet of the Atheists, pushing harder against that old “task-Master” than any poet before or since.

My research and teaching often focuses on questions of authority and its construction. I have special interest in how those questions and constructions are manifested in the early modern era, but my interest (even passion) transcends period. My first book, The Tyranny of Heaven: Milton’s Rejection of God as King, focuses this interest on John Milton and the English 17th century, a place and time in which questions of freedom and authority eventually brought a nation to revolution, civil war, and a failed attempt to permanently overthrow a centuries-old tradition of monarchical government.





The Atheist Milton
Ashgate Press, 2012

The Tyranny of Heaven: Milton’s Rejection of God as King
U. Delaware Press, 2004.


Book Chapters

"The Gnostic Milton: Salvation and Divine Similitude inParadise Regained"
The New Milton Criticism. Eds. Peter C. Herman and Elizabeth Sauer, Cambridge UP, 2012, 102-19.

“The Problem of God”
Approaches to Teaching Paradise Lost. 2nd ed. Ed. Peter C. Herman. MLA Press, 2012, 76-83.

“From Last Things to First: The Apophatic Vision of Paradise Regained”
Milton and the Visionary Mode: Essays on
Prophecy and Violence. Eds. Peter E. Medine and David V. Urban. Duquesne UP, 2010, 241-65.

“The Mysterious Darkness of Unknowing: Paradise Lost and the God Beyond Names”
A Poem Written In Ten Books: Paradise Lost 1667, Eds. John Shawcross and Michael Lieb. Duquesne UP, 2007, 183-212.


Journal Articles

"A Poem to the Unknown God: Samson Agonistes and Negative Theology."
 Milton Quarterly, March 2008, vol. 42, No. 1, 2008, 22-43.

“'His Tyranny Who Reigns': The Biblical Roots of Divine Kingship and Milton's Rejection of Heav'n's King”
Milton Studies 43, 2004, 111-144.

“Dismemberment and Community: Sacrifice and the Communal Body in the Hebrew Scriptures”
Religion and Literature 35.1 (Spring 2003),  1-21.

“'That be far from thee': Divine Evil and Milton's Attempt to 'Justify the ways of God to men'”
Milton Quarterly, May 2002, vol. 36, no. 2, 87-105. 

“The Horror is Us: Western Religious Memory and the Colonialist God in Heart of Darkness”
Henry Street (9.1), Spring 2000, 20-39.


Selected Presentations

"The Gnostic Milton"
Pacific Coast Conference on British Studies 2010

“From Last Things to First: The Apophatic Vision of Paradise Regained”
Modern Language Association 2006

"The Libertine Samson: Samson Agonistes and the Rakes of Restoration Drama"
Renaissance Society of America 2006

“Samson Agonistes And The 'Intimate Impulse': Negative Theology in Milton”
Modern Language Association 2005

“Embarassed Into Silence: Samson Agonistes as Milton's Negative Theology”
Pacific Ancient and Modern Language Association 2005

“The Satanic Samson”
Eighth International Milton Symposium 2005

“The Negation of God: Samson Agonistes and Negative Theology”
Newberry Library Milton Seminar 2005

“Samson Agonistes and Negative Theology”
Midwest Conference on Christianity and Literature, Notre Dame 2004
Panel: “Crossing Through Theory: The New Milton Criticism”
American Comparative Literature Association 2003

“'Though ye rebel': The Motivation for Satan’s Rebellion in Paradise Lost”
Seventh Annual International Milton Symposium 2002

“To Prove that God is not the Devil: Kingship and Milton’s Struggle to Re-Imagine God”
Yale Divinity School Religion and Literature Symposium Series 2002

“'That be far from thee': Divine Evil and Milton's Attempt to 'Justify the ways of God to men'”
Renaissance Conference of Southern California 2001

“'His Tyranny Who Reigns': The Biblical Roots of Divine Kingship and Milton's Rejection of “Heav'n's King”
Modern Language Association 2000

“The Tyranny of Heav'n: Milton, Magistrates and the Rhetoric of Satan's Protestantism in Paradise Lost”
Renaissance Society of America 1999

“Western Religious Memory and the Colonialist God in Heart of Darkness”
Northern Illinois University Conference on Language and Literature 1998 



Some flamenco-ish guitar (a recent composition)

A variety of other playing styles