Thursday, November 08, 2012
8:00 pm - 9:30 pm - Great Hall
Ludwig van Beethoven: Piano Concerto No. 5 in E-flat major, Op. 73 ("Emperor")
2. Adagio un poco mosso
3. Rondo: Allegro
Pyotr Ilyich Tchaikovsky: Symphony No. 6 in B minor, Op. 74 ("PathÃ©tique")
1. Adagio: Allegro non troppo
2. Allegro con grazia
3. Allegro molto vivace
4. Finale: Adagio lamentosoA venerable European institution, The Warsaw Philharmonic comes to the Valley Performing Arts Center for a presentation of works by Tchaikovsky and Beethoven. Since its first concert in 1901, The Warsaw Philharmonic has remained a leading orchestral ensemble and has played a major role in introducing audiences worldwide to many of the now famous classical composers and musicians from central Europe. Appearing with the orchestra is Yulianna Avdeeva, 2010 winner of the International Frederic Chopin Piano Competition.
Tuesday, September 18 - Friday, July 26 All Day - Tseng Gallery, Oviatt Library
Science fiction literature, one of the most popular and entertaining genres in modern fiction, has been read and loved by children and adults for decades. From the earliest pulp publications to modern masterpieces, science fiction short stories and novels have often functioned as a lens through which we express our sense of wonder, marvel at the possibilities of new technologies, and engage in our wildest imaginings. Join us as we celebrate the fantastic and strange in science fiction literature.
OPENING RECEPTION: Saturday October 27 4-6pm
GALLERY TALK: Monday, October 29 10am
This is a group exhibition featuring artists whose work depicts visions of future dystopias based on a turbulent present. Desert wastelands, faux fallen satellites, devises designed to ensure your survival and a world seemingly run by giant computer servers; the artists in this show offer a prescient window into a world that not only may be, but in some places, already exists.
Artists include Lisa Adams, Libby Clarke, Daniel Dove, Trygve Faste, Sean Higgins, Kelly McLane, Thomas Muller and Klutch Stanaway.
Additional events including lectures and artists visits in conjunction for this exhibition can be found at www.csun.edu/artgalleries.
Gallery hours are Monday through Saturday 12-4, Thursdays 12-8pm. Please note: The Gallery will be closed Nov. 12 and Nov. 22-24.
9:30 am - 10:45 am - University Student Union; Flintridge Room
Jewish Music with Cantor Mike Stein
Hazzan (Cantor) Mike Stein will present an overview of the history and development of Jewish music by playing the guitar, violin, oud and shofar. You are welcome to join us in learning about diverse and exciting Jewish music from Europe, the Middle East, the United States and Africa.
Please call 818-677-4724 or email email@example.com to reserve a seat.
4:00 pm - 5:15 pm - Jerome Richfield, 384
Eva Brettler, Holocaust Survivor
Eva Brettler, a survivor of the Ravensbruck concentration camp, will be speaking about her experiences before, during, and after the Holocaust.
Limited Seating. Please call 818-677-4724 or email firstname.lastname@example.org to reserve a seat.
Thursday Nights at the Cinematheque
A Retrospective of the films of Francois Truffaut
The Wild Child (L'enfant sauvage) (1970, 83 mins.)
Small Change (L'argent de poche) (1976, 104 mins.)
Two of Truffaut's most compelling films dealt specifically with the lives of children. In an austere documentary style, 1970's The Wild Child tells the true story of a young feral boy found in 18th century France. In another documentary-style film, 1976's Small Change chronicles the lives of several young children at play in a French provincial town. Both films reflect Truffaut's own troubled youth but also show his deep love for children and his lifelong interest in the subject of childhood.
7:00 pm - 9:00 pm
Veterans, the Middle East, and Reflections on 'Lawrence of Arabia'
A gallery exhibition of student research and panel of War on Terror veterans
Jerome Richfield 319
7:00 PM - 9:00 PM
Thursday, November 8
At 7:00 PM, doors will open for the research exhibits
At 7:30 PM, attendees will be seated for the panel of speakers and subsequent discussion
This event is free and open to the public.
Refreshments and food will be provided.
(People whose schedules necessitate that they arrive late or leave early are welcome! We hope you can experience this event.)
The significance of this film:
This year is the 50th anniversary of Lawrence of Arabia, an epic film that has been considered by many critics one of the greatest ever made. It was the highest grossing motion picture of 1962 and received seven Academy Awards, including Best Picture (Sam Spiegel), Best Director (David Lean), and Best Cinematography (Frederick Young). Earning over $37 million, it grossed twice as much as the next top film.
Peter O'Toole and Omar Sharif became cinematic superstars after the release of the film, both earning nominations for Best Actor and Best Supporting Actor, respectively.
More importantly, however, Lawrence of Arabia, based on the life of British officer T.E. Lawrence, forged some of the most powerful mid-century myths of the Middle East. Set during and after World War I, it depicts in sweeping vistas the wartime trauma and identity crisis of not only whites sent to fight in the Middle East, but also Arabs and Muslims forced into European geopolitics removed from their own history.
The homoerotic relationship between Peter O'Toole and Omar Sharif's characters marked a milestone for queer representations in cinema as well as a harbinger for postcolonial criticism in the decade following.
As we near the tenth anniversary of the invasion of Iraq and the eleventh anniversary of the invasion of Afghanistan by US and allied forces, the film offers us an opportunity to reflect on the evolving relationship of US viewers to the "theater" of war in the Middle East. We will have the opportunity to rekindle our understanding of World War I's role in today's War on Terror.
The commemoration of this film:
Most importantly, for the 50th anniversary of this film, four veterans of the War on Terror will share their reactions to viewing the film in 2012. They will talk about the ways in which Lawrence of Arabia might be relevant or outdated--and generally, what it feels like to watch it, having served in wars tied to the same region.
Below are our panelists:
VAL REYES is a retired colonel of the US Army, who served in Afghanistan as part of Operation of Enduring Freedom. He was formerly in the social work department at the University of Southern California and now operates a combat trauma center. He has published research on war trauma and remains interested in studying the reintegration process of veterans as they return from war overseas.
JOSEPH LONERGAN is a military police officer of the US Army, who served a tour of active duty at GuantÃ¡namo prison, where he had to respond to conflicts surrounding detainees. Now he is stationed at Fort Leavenworth. A graduate of California Lutheran University with a BS in criminal justice, he is currently pursuing an MA in English and planning a career in academia.
JASON FREUDENRICH holds an MA in Rhetoric and Composition from California State Northridge. He is a retired corporal from the US Marine Corps, who served a tour of active duty in Iraq as a Motor T specialist. Presently he teaches writing at Pierce College.
PIERRE MARCOS holds an MA in English from California State Northridge. He is a retired sergeant from the US Marine Corps who did multiple tours in the War on Terror (Iraq) as an infantryman. Presently he teaches English at Chaminade High School and coaches football.
Student Research Gallery:
Students in English 473 (American Literature), English 312 (Film and Literature), and Greco-Roman Mythology (Classics 315) are doing research projects that seek to draw insight from Lawrence of Arabia by relating the cinematic narrative to other war myths rooted in American literary traditions, cinema conventions, as well as ancient narratives.
The mission of this event:
This is the second of six fiftieth-anniversary celebrations as part of "Myth Goes to the Movies." The first event was "The Music Man" on September 24, which is summarized here:
The third event will be the 50th anniversary of "Dr. No" on December 4 at 4:30 PM in Sierra Hall -- details forthcoming.
Sara Dean, a graduate of CSUN's English MA program, is coordinating the film series with me. Our mission is to open new kinds of transdisciplinary and transcultural discussion by bridging film and mythology. All events involve guest speakers, student research galleries, and discussion of landmark films from 1962-1963. My hope is also to build on this work to develop a World Literature minor at CSUN, analogous to comparative literature. If you have any questions about the film series or the World Literature program, feel free to contact me at the following email: email@example.com or at this phone number: 818-677-3415.
"Myth Goes to the Movies" would not be possible without generous assistance from the Arthur N. Rupe Foundation in Santa Barbara, California.