From the Los Angeles Times. Copyright 2007
Los Angeles Times. All rights reserved.
CRITIC'S NOTEBOOK
New developments mask wild land's deadly threat
To break the cycle of build and burn, those
who create and approve subdivisions in Southern California must take
site and climate into consideration.
By Christopher Hawthorne
Los Angeles Times Staff Writer
October 30, 2007
The enduring image of the Southern California hillside resident -- the
one who braces for disaster every fall, just as the Santa Anas begin to
blow -- is that of a self-reliant, latter-day homesteader who settled
up among the trees because he finds solitude and freedom there. And
maybe because he remains a bit suspicious of life in the city.
It wasn't hard to find examples of the breed in news coverage of last
week's devastating fires, guiding horses to safety or crustily refusing
to evacuate. Yet the vast majority of the nearly 2,000 houses destroyed
so far weren't outposts marking the last remaining frontiers of the
American West. They were neatly lined up in subdivisions, on gently
curving streets slotted into terraced hillsides. Many of the biggest
fires grew by leaping from one cul-de-sac to the next, tearing through
the territory that writer Mike Davis once called "Sloping Suburbia."
Since the middle of the 20th century, this is how we have developed
much of our new housing in the U.S., and particularly in Southern
California: by pushing deep into canyons and deserts and onto flood
plains. We build reassuringly familiar-looking subdivisions, decorated
with vaguely Spanish or Mediterranean accents, in locations that by
land-use standards -- and by common-sense standards -- are truly
exotic. We build with the unstinting belief that growth is good and
that progress in the form of various kinds of technology -- new
building materials, military-style firefighting, a vast system of pumps
and levees -- will continue to make it possible to construct new
pockets of nostalgic architecture virtually anywhere.
But maybe our nostalgia should extend beyond red-tile roofs to include
earlier lessons about how and where it is safe to build. This country's
culture as a whole is in the midst of a profound shift from the
unshakable confidence that marked the so-called American Century to a
new recognition of risk, conservation, even fragility. Green
architecture, with its rather old-fashioned emphasis on paying
attention to site and climate, is part of that shift. But those who
build and approve new hillside developments -- "the lords of
subdivision," as nature writer Richard Lillard called them, the
"replanners of the Earth's surface" -- have barely acknowledged it.
One of the success stories of the last week has been Stevenson Ranch
near Santa Clarita, which narrowly averted destruction in part because
its houses were built with concrete roof tiles and heat-resistant
windows. But to celebrate this neighborhood as a model for escaping
fire is itself a kind of escapism. The question is never, why am I
building here on this hillside that predictably catches fire every few
years in the fall (and maybe now in spring or summer too)? It is,
instead, how can technology and new materials -- how can progress --
protect me from the dangers inherent in living where I have chosen to
live?
The aesthetic basis of a typical subdivision is reassurance and
stability. Builders enforce those qualities with architecture, choosing
from a well-worn catalog of residential styles, and with massive
earthmoving operations, to flatten the streets and blur the
topographical differences between one hillside and the next.
The media pitch in too. Thursday night on CNN, Anderson Cooper and
other anchors focused relentlessly on the news that an arsonist may
have set the Santiago fire in eastern Orange County. The Santiago fire
destroyed 14 houses -- a tiny fraction of the total this week. By
contrast, the Witch fire that roared through suburban developments in
northern San Diego County, consuming more than 1,000 houses, was caused
by downed power lines. The emphasis on possible crime suggested that
the disaster could be pinned on a few rogue evildoers. But the vast
majority of destroyed houses burned as a direct result of choices made
by home builders, homeowners, politicians and planners about where to
put new development. The villain is us.
The truth is that while houses near Lake Arrowhead and in certain
canyons that burned this year are marked by real isolation, most
Southern California residents who move into fire-threatened hillside
neighborhoods are not adventurous souls hoping to thumb their noses at
convention and urban mores and carve out a life surrounded by nature.
They are merely looking for spacious single-family residences that feel
attractively adjacent to, rather than in the heart of, the hills and
mountain ranges that divide the region's coastline from its deserts.
Adjacency to nature rather than full immersion in it has always been at
the heart of the suburbs' appeal. The developers who create our version
of it, particularly in the fastest-growing parts of Los Angeles, Orange
and San Diego counties, have been highly successful at giving their
projects the air of the familiar mixed with a touch of unspoiled
landscape.
Disasters, though, have a way of stripping away those signs of comfort
and rather starkly revealing land-use patterns as well as the
philosophies that underpin growth. The flooding in New Orleans that
followed Hurricane Katrina, for example, wiped out mostly
suburban-style ranch houses that had been built slab-on-grade, without
the raised foundations and other low-tech flood-protection mechanisms
that once distinguished the city's houses.
There is a reason that the oldest neighborhoods in New Orleans
virtually never flood. They were built on naturally high ground,
produced over the centuries by deposits of Mississippi River silt. And
there is a reason that wildfires in Southern California prey mostly on
subdivisions built in the last 50 years or so, when suburban expansion
and faith in American know-how were at their height.
We can draw a final connection here, even if it is only a metaphorical
one. The way that American home builders keep pushing out into new
territory, developing parcels of land once considered unsafe for
residential construction, is an architectural version of the way that
banks and lenders have acted over the last decade, practically tossing
money at borrowers once dismissed as too much of a credit risk. The
goal in both cases is to maintain a pace of growth and expansion that
is ultimately unsustainable.
The crisis in the credit markets, by pulling down the broader economy,
has shined some needed light on predatory lending and slowed its
spread. Though history suggests that we probably shouldn't hold our
breath, perhaps the fires, by the sheer scale of their destruction,
will have a similar effect on the way we build.
christopher.hawthorne@latimes.com